"L'entrée d'Henri IV dans Paris"
Description
Eventail à la monture en nacre gravée, incrustée d'or et d'argent.#La feuille est en papier chromolithographié d'après le tableau de François Gérard "L'entrée d'Henri IV à Paris, 22 mars 1594"#Sur les côtés, les portraits d'Henri IV et de Gabrielle d'Estrées. Fleurs au revers
Subject depicted
scène historique,remise des clés,Paris : palais,Henri IV
About this work
The artwork titled ""L'entrée d'Henri IV dans Paris"", attributed to anonyme;Gérard François (1770-1837) (d'après), is preserved at musée de la nacre et de la tabletterie. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.
Technique and Materials
This work belongs to the field: costume - accessoires du costume, ethnologie. It was created using the following materials and techniques: Nacre blanche. Its period of creation is identified as: 2nd quarter 19th Century.
The Conserving Museum
musée de la nacre et de la tabletterie preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
"L'entrée d'Henri IV dans Paris" est une pièce de costume - accessoires du costume, ethnologie réalisée par anonyme;Gérard François (1770-1837) (d'après), au musée de la nacre et de la tabletterie. Le procédé technique employé est Nacre blanche. Le motif représenté : scène historique,remise des clés,Paris : palais,Henri IV. La création de cette oeuvre remonte à la 2e quart 19e siècle.
Creation context
"L'entrée d'Henri IV dans Paris" émerge du bouillonnement de la 2e quart 19e siècle, époque où anonyme;Gérard François (1770-1837) (d'après) atteint la pleine maturité de son art. Visible au musée de la nacre et de la tabletterie, cette œuvre illustre à quel point le contexte historique nourrit et façonne la création artistique, lui conférant une profondeur qui va bien au-delà de la seule dimension esthétique.
See also
Technique
Related pages
Frequently Asked Questions
Everything you need to know
The work « "L'entrée d'Henri IV dans Paris" » is held at musée de la nacre et de la tabletterie, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to anonyme;Gérard François (1770-1837) (d'après) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.