Preparing your personalized content

Chōdayū, courtisane du bordel d’Okamoto (titre de l'estampe traduit)#岡本室長太夫部室之圖 (titre de l'estampe en kanji)#Okamoto-ya Chōdayū Heya no Zu (translittération)
Click to enlarge

Chōdayū, courtisane du bordel d’Okamoto (titre de l'estampe traduit)#岡本室長太夫部室之圖 (titre de l'estampe en kanji)#Okamoto-ya Chōdayū Heya no Zu (translittération)

Utagawa Toyokuni (1786-1865) — Utagawa Kunisada I ,歌川国貞 Edo, 1786 ; Edo, 1865 ; peintre — 1ère moitié 19th Century

Description

Triptyque incomplet. Format ōban, tate-e (portrait). Estampe de brocart, nishiki-e. Bon état.

Subject depicted

Scène (courtisane, bordel, jour de pluie)

About this work

The artwork titled "Chōdayū, courtisane du bordel d’Okamoto (titre de l'estampe traduit)#岡本室長太夫部室之圖 (titre de l'estampe en kanji)#Okamoto-ya Chōdayū Heya no Zu (translittération)", attributed to Utagawa Toyokuni (1786-1865), is preserved at musée départemental des arts asiatiques. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.

Technique and Materials

This work belongs to the field: estampe, Asie orientale. It was created using the following materials and techniques: papier (estampe, xylographie), pigment. Its period of creation is identified as: 1ère moitié 19th Century.

The Conserving Museum

"Chōdayū, courtisane du bordel d’Okamoto (titre de l'estampe traduit)#岡本室長太夫部室之圖 (titre de l'estampe en kanji)#Okamoto-ya Chōdayū Heya no Zu (translittération)" is preserved at musée départemental des arts asiatiques, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

Chōdayū, courtisane du bordel d’Okamoto (titre de l'estampe traduit)#岡本室長太夫部室之圖 (titre de l'estampe en kanji)#Okamoto-ya Chōdayū Heya no Zu (translittération) est une oeuvre de Utagawa Toyokuni (1786-1865), conservée au musée départemental des arts asiatiques. papier (estampe, xylographie), pigment est le procédé utilisé pour cette oeuvre. L'oeuvre présente les dimensions suivantes : l. 26.5, H. 38.5. Le thème de l'oeuvre est : Scène (courtisane, bordel, jour de pluie). Elle est datée de la 1ère moitié 19e siècle. Détail à relever : Utagawa Kunisada I ,歌川国貞 Edo, 1786 ; Edo, 1865 ; peintre.

Creation context

C'est durant la 1ère moitié 19e siècle que Utagawa Toyokuni (1786-1865) conçoit Chōdayū, courtisane du bordel d’Okamoto (titre de l'estampe traduit)#岡本室長太夫部室之圖 (titre de l'estampe en kanji)#Okamoto-ya Chōdayū Heya no Zu (translittération), porté par un élan de renouvellement artistique qui traverse alors le monde de la création. Le musée départemental des arts asiatiques conserve aujourd'hui cette pièce née d'un moment historique singulier, où les conventions esthétiques sont remises en question et où de nouvelles voies s'ouvrent aux artistes les plus audacieux.

Frequently Asked Questions

Everything you need to know

The work « Chōdayū, courtisane du bordel d’Okamoto (titre de l'estampe traduit)#岡本室長太夫部室之圖 (titre de l'estampe en kanji)#Okamoto-ya Chōdayū Heya no Zu (translittération) » is held at musée départemental des arts asiatiques, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to Utagawa Toyokuni (1786-1865) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.