Coello Claudio
né à Madrid en 1642 ; mort à Madrid en 1693 ; fils d'un bronzier portugais, établi à Madrid et formé par Francisco Rizi, il est le continuateur de son style baroque passionné, conservant malgré tout un goût pour la réalité concrète qui donne à ses compositions un équilibre et une précision considérables. Une grande partie de son oeuvre, de caractère religieux, s'inscrit parmi les plus heureuses réussites du baroque le plus typique (Saint Augustin, 1664, musée du Prado ; Annonciation, 1668, église San Placido, Madrid). En 1685, il est nommé peintre de la Chambre du Roi et réalise l'année suivante son oeuvre la plus importante , l'Adoration de la sainte Forme, pour la sacristie de l'Escorial, où le souci de l'espace rappelle le Tintoret et Velasquez. Il a également pratiqué la peinture murale, caractérisée par des architectures en trompe-l'oeil, souvent en collaboration avec Jimenez Donoso et Sebastian Munoz.
School : Spain
13 works referenced in French museums
Style and technique
Le dessin imprègne l'oeuvre de Coello Claudio. Coello Claudio s'appuie sur peinture à l'huile, toile pour donner forme à ses oeuvres. Coello Claudio intervient principalement en dessin.
Legacy and influence
Les travaux de Coello Claudio figurent dans plusieurs collections muséales. Coello Claudio est représenté dans 4 musées.
Works in public collections
Works in French museums
Coello Claudio is among the artists whose works are preserved in « Musée de France » labeled museums. The Joconde database of the Ministry of Culture lists 13 works attributed to this artist in French public collections.
Curator museums
The works of Coello Claudio are preserved in the following museums: musée du Louvre, musée Goya, musée Thomas-Henry, musée Ingres Bourdelle. These institutions bear the « Musée de France » label and ensure the conservation and accessibility of their collections.
Artistic fields
The works of Coello Claudio belong to the following fields: dessin, peinture.
Data sources
The information presented comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), under the Open License v2.0 (Etalab).
See also
Artistic movements
Century
Techniques
- Peinture à l'huile, toile
- Pierre noire, sanguine, papier (beige), plume, encre brune, collé en plein
- Sanguine, pierre noire, papier (crème), plume, encre brune
- Pierre noire, sanguine, papier (crème)
- Pierre noire, lavis brun, plume, encre brune, papier (beige), gouache (blanche, rehaut), gouache blanche, lavis d'encre brune (trace)
Related pages
Frequently Asked Questions
Everything you need to know
The Joconde database references 13 works attributed to Coello Claudio in museums of France. 13 of them have a digitized image available online. These works cover various fields: dessin, peinture.
Works by Coello Claudio are held in 4 labeled 'Museum of France', including the musée du Louvre. Each work entry indicates the holding museum, which allows planning a visit. Check with the museum whether the work is on display or in storage.
The data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the holding museums, and biographical information is extracted from the database fields.
No. Only cataloged and digitized works in the Joconde database appear on DellArte. Other works by Coello Claudio may exist in museum reserves, private collections, or foreign museums. Digitization progresses each year.
Consult the work's record to identify the holding museum, then contact it to verify if the work is on display. Find out about opening hours and admission fees on the official museum website.
Works by Coello Claudio belong to the following fields: dessin, peinture. The Joconde database documents the technique, period, and holding museum for each work.
According to the records in the Joconde database, works by Coello Claudio employ the following techniques and materials: peinture à l'huile, toile, pierre noire, sanguine, papier (beige), plume, encre brune, collé en plein, sanguine, pierre noire, papier (crème), plume, encre brune. Each work record details the technique in the 'Materials / Techniques' field.
Textual data are under Open License v2.0 and can be freely reused. For images, rights depend on the artist's date of death: if Coello Claudio died over 70 years ago, their works are in the public domain in France. Otherwise, images remain under copyright.
Use the DellArte contact page to report the error. For corrections at the source (attribution, dating, biography), report them to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database references over 50,000 artists. Explore the artist directory on DellArte to discover other creators from the same field or era as Coello Claudio.