Vue du Feu prit a la Salle de l'Opera de Paris le 6 Avril 1763 / N°. 125. (titre isncrit)
Subject depicted
scène (Paris, palais, opéra, incendie, flamme, pompe à incendie, homme, seau, planche, à cheval, chariot : tonneau, lance, échelle, 18e siècle : époque Louis XV, effet de perspective)
About this work
The artwork titled "Vue du Feu prit a la Salle de l'Opera de Paris le 6 Avril 1763 / N°. 125. (titre isncrit)", attributed to Basset André (17..-1787) (imprimeur, éditeur), is preserved at musée de l'image. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: estampe, histoire, architecture. It was created using the following materials and techniques: papier vergé (procédé de gravure en creux (colorié au pinceau)). Its period of creation is identified as: 2nd half 18th Century.
The Conserving Museum
musée de l'image preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
Au musée de l'image, on trouve Vue du Feu prit a la Salle de l'Opera de Paris le 6 Avril 1763 / N°. 125. (titre isncrit), oeuvre de Basset André (17.-1787) (imprimeur, éditeur). Cette oeuvre est réalisée en papier vergé (procédé de gravure en creux (colorié au pinceau)). Format : H. 31.5 cm ; l. 46 cm (feuille) ; H. 29 cm ; l. 42 cm (cuvette) ; H. 25.8 cm ; l. 39.8 cm (traits carrés). Cette pièce a pour sujet : scène (Paris, palais, opéra, incendie, flamme, pompe à incendie, homme, seau, planche, à cheval, chariot : tonneau, lance, échelle, 18e siècle : époque Louis XV, effet de perspective). Elle est datée de la 2e moitié 18e siècle.
Creation context
Le moment historique de la 2e moitié 18e siècle éclaire la démarche de Basset André (17..-1787) (imprimeur, éditeur) lorsqu'il crée Vue du Feu prit a la Salle de l'Opera de Paris le 6 Avril 1763 / N°. 125. (titre isncrit). Cette réalisation, préservée au musée de l'image, contient les résonances d'un milieu artistique en pleine mutation, où tradition et modernité s'entrechoquent pour produire des œuvres d'une grande originalité.
See also
Related pages
Frequently Asked Questions
Everything you need to know
The work « Vue du Feu prit a la Salle de l'Opera de Paris le 6 Avril 1763 / N°. 125. (titre isncrit) » is held at musée de l'image, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to Basset André (17..-1787) (imprimeur, éditeur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.