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Veüe et perspective du Bassin du Pavillon des Etuves du Château de Chantilly
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Veüe et perspective du Bassin du Pavillon des Etuves du Château de Chantilly

PERELLE Adam (graveur);LANGLOIS Nicolas I (éditeur) — PERELLE : Paris, 1638 ; Paris, 1695 ; nationalité : Française — 2nd half 17th Century

School : France

Description

gravure sur cuivre sur papier

Subject depicted

vue d'architecture (Chantilly, château, parc, jardin, bassin d'eau)

About this work

The artwork titled "Veüe et perspective du Bassin du Pavillon des Etuves du Château de Chantilly", attributed to PERELLE Adam (graveur);LANGLOIS Nicolas I (éditeur), is preserved at musée Condé. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.

Technique and Materials

This work belongs to the field: estampe. It was created using the following materials and techniques: papier, procédé de gravure en creux. Its period of creation is identified as: 2nd half 17th Century.

The Conserving Museum

"Veüe et perspective du Bassin du Pavillon des Etuves du Château de Chantilly" is preserved at musée Condé, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

Veüe et perspective du Bassin du Pavillon des Etuves du Château de Chantilly (PERELLE Adam (graveur);LANGLOIS Nicolas I (éditeur)) est une oeuvre des collections du musée Condé relevant de estampe. Cette oeuvre est réalisée en papier, procédé de gravure en creux. Dimensions : Hauteur cuvette en cm 21.8 ; longueur cuvette en cm 32.2 ; Hauteur en cm 22.9 ; Longueur en cm 39.9. L'oeuvre représente : vue d'architecture (Chantilly, château, parc, jardin, bassin d'eau). Cette réalisation date de la 2e moitié 17e siècle. À propos de cette pièce : PERELLE : Paris, 1638 ; Paris, 1695 ; nationalité : Française.

Creation context

Veüe et perspective du Bassin du Pavillon des Etuves du Château de Chantilly émerge du bouillonnement de la 2e moitié 17e siècle, époque où PERELLE Adam (graveur);LANGLOIS Nicolas I (éditeur) atteint la pleine maturité de son art. Visible au musée Condé, cette œuvre illustre à quel point le contexte historique nourrit et façonne la création artistique, lui conférant une profondeur qui va bien au-delà de la seule dimension esthétique.

Frequently Asked Questions

Everything you need to know

The work « Veüe et perspective du Bassin du Pavillon des Etuves du Château de Chantilly » is held at musée Condé, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to PERELLE Adam (graveur);LANGLOIS Nicolas I (éditeur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.