SECOND EMPIRE / NAPOLÉON III, CRIMÉE, Italie,- (1870-1871) / HISTOIRE DE France / Planche 24
Subject depicted
scènes (époque 19e siècle, guerre : Crimée, Second Empire, homme, soldat, armée : France, Mac-Mahon Patrice comte de, officier, drapeau : Français, combat, attaque, fusil, baïonnette, Russe, Italie, Canrobert François Certain, maréchal, portrait, Napoléon III, en pied, bataille, Reischoffen, à cheval, dragon militaire épée, équestre cabré, blessé, femme, Eugénie de Montijo : impératrice de France, enfant, garçon, Bonaparte Louis-Napoléon, bombardement : Strasbourg, cathédrale, fumée, capitulation : Sedan, calèche, Prusse, casque à pointe),ornementation (flambeau, palmen feuille : chêne)
About this work
The artwork titled "SECOND EMPIRE / NAPOLÉON III, CRIMÉE, Italie,- (1870-1871) / HISTOIRE DE France / Planche 24", attributed to Imageries réunies de Jarville-Nancy (imprimeur, éditeur), is preserved at musée de l'image. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: estampe, histoire, vie militaire. It was created using the following materials and techniques: papier (lithographie (colorié au pochoir)). Its period of creation is identified as: 1st quarter 20th Century.
The Conserving Museum
"SECOND EMPIRE / NAPOLÉON III, CRIMÉE, Italie,- (1870-1871) / HISTOIRE DE France / Planche 24" is preserved at musée de l'image, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
De Imageries réunies de Jarville-Nancy (imprimeur, éditeur), SECOND EMPIRE / NAPOLÉON III, CRIMÉE, Italie,- (1870-1871) / HISTOIRE DE France / Planche 24 est conservée au musée de l'image dans le domaine estampe, histoire, vie militaire. La technique employée est : papier (lithographie (colorié au pochoir)). Dimensions : H. 39.9 cm ; l. 29 cm (feuille). Elle figure : scènes (époque 19e siècle, guerre : Crimée, Second Empire, homme, soldat, armée : France, Mac-Mahon Patrice comte de, officier, drapeau : Français, combat, attaque, fusil, baïonnette, Russe, Italie, Canrobert François Certain, maréchal, portrait, Napoléon III, en pied, bataille, Reischoffen, à cheval, dragon militaire épée, équestre cabré, blessé, femme, Eugénie de Montijo : impératrice de France, enfant, garçon, Bonaparte Louis-Napoléon, bombardement : Strasbourg, cathédrale, fumée, capitulation : Sedan, calèche, Prusse, casque à pointe),ornementation (flambeau, palmen feuille : chêne). Cette réalisation date de la 1er quart 20e siècle.
Creation context
SECOND EMPIRE / NAPOLÉON III, CRIMÉE, Italie,- (1870-1871) / HISTOIRE DE France / Planche 24 de Imageries réunies de Jarville-Nancy (imprimeur, éditeur) voit le jour dans le contexte bouillonnant de la 1er quart 20e siècle, une époque de profondes transformations artistiques et culturelles. Aujourd'hui conservée au musée de l'image, cette œuvre reflète les aspirations et les questionnements esthétiques de son temps. L'artiste puise dans l'effervescence créatrice de son époque les ressources nécessaires pour forger une œuvre qui dialogue avec les courants dominants tout en affirmant une voix personnelle.
See also
Related pages
Frequently Asked Questions
Everything you need to know
The work « SECOND EMPIRE / NAPOLÉON III, CRIMÉE, Italie,- (1870-1871) / HISTOIRE DE France / Planche 24 » is held at musée de l'image, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to Imageries réunies de Jarville-Nancy (imprimeur, éditeur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.