Sans tire
Description
Vue de la route qui longe l'étang de Berre peut-être entre Istres et Saint-Chamas. Au centre, la route. A droite, le bas-côté, le haut d’une serre (?) et des arbres ressemblant à des sapins. A gauche, le parapet et le bord de l'eau en partie également arboré. Le ciel est limpide, aucun nuage ne vient troubler l'horizon.
About this work
The artwork titled "Sans tire", attributed to Plossu Bernard (1945- u2026.), is preserved at musée Ziem. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: art contemporain, photographie. It was created using the following materials and techniques: Tirage argentique monochrome (bromure d'argent), papier baryté.
The Conserving Museum
musée Ziem preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
Sans tire est une oeuvre de Plossu Bernard (1945- u2026.), conservée au musée Ziem. Tirage argentique monochrome (bromure d'argent), papier baryté est le procédé utilisé pour cette oeuvre. Elle mesure 20,2 × 56,7 cm. Note sur cette oeuvre : Da Lat (Vietnam), 1945.
Creation context
Sans tire prend forme dans l'atelier de Plossu Bernard (1945- u2026.) en pleine , à un moment où les artistes redéfinissent les frontières de leur art. Les circonstances de sa création, profondément liées à son époque, confèrent à cette œuvre du musée Ziem une résonance historique considérable qui dépasse le cadre purement esthétique.
See also
Related pages
Frequently Asked Questions
Everything you need to know
The work « Sans tire » is held at musée Ziem, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to Plossu Bernard (1945- u2026.) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.