Première partie de la Ville et du Port de Bordeaux / prise du côté des Salinières. (titre inscrit)
School : France
Subject depicted
Bordeaux,vue d'architecture (port, architecture urbaine, mer, bateau à voiles, jetée, marchandises, transport par eau, commerce, tonneau)
About this work
The artwork titled "Première partie de la Ville et du Port de Bordeaux / prise du côté des Salinières. (titre inscrit)", attributed to CHEREAU Jacques-François (graveur, éditeur, marchand), is preserved at musée des civilisations de l'Europe et de la Méditerranée. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: estampe, ethnologie. It was created using the following materials and techniques: taille-douce (colorié au pinceau), papier vergé. Its period of creation is identified as: 2nd half 18th Century.
The Conserving Museum
"Première partie de la Ville et du Port de Bordeaux / prise du côté des Salinières. (titre inscrit)" is preserved at musée des civilisations de l'Europe et de la Méditerranée, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
Au musée des civilisations de l'Europe et de la Méditerranée, on trouve Première partie de la Ville et du Port de Bordeaux / prise du côté des Salinières. (titre inscrit), oeuvre de CHEREAU Jacques-François (graveur, éditeur, marchand). La réalisation fait appel à taille-douce (colorié au pinceau), papier vergé. Ses dimensions sont H. 28.2, l. 36. Le thème de l'oeuvre est : Bordeaux,vue d'architecture (port, architecture urbaine, mer, bateau à voiles, jetée, marchandises, transport par eau, commerce, tonneau). L'oeuvre appartient à la 2e moitié 18e siècle. Concernant cette pièce : 1732 ; 1794.
Creation context
CHEREAU Jacques-François (graveur, éditeur, marchand), immergé dans la 2e moitié 18e siècle, livre avec Première partie de la Ville et du Port de Bordeaux / prise du côté des Salinières. (titre inscrit) une œuvre qui transcende son contexte de création tout en l'incarnant pleinement. Le musée des civilisations de l'Europe et de la Méditerranée a su préserver cette pièce dont la pertinence artistique traverse les siècles et continue de susciter l'intérêt des amateurs d'art.
See also
Domain
Related pages
Frequently Asked Questions
Everything you need to know
The work « Première partie de la Ville et du Port de Bordeaux / prise du côté des Salinières. (titre inscrit) » is held at musée des civilisations de l'Europe et de la Méditerranée, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to CHEREAU Jacques-François (graveur, éditeur, marchand) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
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