Les Tectosages s'étant rendus maîtres de la ville de Delphes, pillent le Temple d'Apollon
Description
impression en camaïeu noir
Subject depicted
scène historique (Delphes, temple : pillage, richesse, objets divers, soldat, cheval, architecture, fond de paysage),ornementation (fleur)
About this work
The artwork titled "Les Tectosages s'étant rendus maîtres de la ville de Delphes, pillent le Temple d'Apollon", attributed to LAFAGE Raymond (dessinateur, d'après);ERTINGER François (graveur, d'après);FOUQUE ARNOUX & Cie (manufacture), is preserved at musée du vieux Toulouse. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.
Technique and Materials
This work belongs to the field: céramique, histoire, ethnologie. It was created using the following materials and techniques: faïence fine, décor imprimé. Its period of creation is identified as: 2nd quarter 19th Century.
The Conserving Museum
"Les Tectosages s'étant rendus maîtres de la ville de Delphes, pillent le Temple d'Apollon" is preserved at musée du vieux Toulouse, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
Les Tectosages s'étant rendus maîtres de la ville de Delphes, pillent le Temple d'Apollon est une oeuvre de céramique, histoire, ethnologie par LAFAGE Raymond (dessinateur, d'après);ERTINGER François (graveur, d'après);FOUQUE ARNOUX & Cie (manufacture), visible au musée du vieux Toulouse. Cette pièce est en faïence fine, décor imprimé. La pièce a pour dimensions D. 21. L'oeuvre dépeint : scène historique (Delphes, temple : pillage, richesse, objets divers, soldat, cheval, architecture, fond de paysage),ornementation (fleur). Sa période de création est la 2e quart 19e siècle. À propos de cette pièce : Lafage : L'Isle-sur-Tarn, 1650 vers ; Lyon, 1684 # Ertinger : Colmar, 1640 ; Paris, 1710.
Creation context
Les Tectosages s'étant rendus maîtres de la ville de Delphes, pillent le Temple d'Apollon est le produit de la rencontre entre le talent de LAFAGE Raymond (dessinateur, d'après);ERTINGER François (graveur, d'après);FOUQUE ARNOUX & Cie (manufacture) et les aspirations de la 2e quart 19e siècle. Abritée au musée du vieux Toulouse, cette œuvre cristallise les questionnements artistiques propres à une époque qui voit naître de nouvelles formes d'expression et de nouveaux rapports à la création.
See also
Frequently Asked Questions
Everything you need to know
The work « Les Tectosages s'étant rendus maîtres de la ville de Delphes, pillent le Temple d'Apollon » is held at musée du vieux Toulouse, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to LAFAGE Raymond (dessinateur, d'après);ERTINGER François (graveur, d'après);FOUQUE ARNOUX & Cie (manufacture) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.