LES CRIMES ALLEMANDS / ACHEVEMENT DES BLESSES
Subject depicted
scène (Guerre de 14-18,soldat,Allemagne,homme)
About this work
The artwork titled "LES CRIMES ALLEMANDS / ACHEVEMENT DES BLESSES", attributed to BASSANI L (imprimeur);DORVILLE Noël (illustrateur, d'après), is preserved at musée du temps. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: imprimé, histoire, vie militaire. It was created using the following materials and techniques: papier cartonné, procédé photomécanique, noir & blanc. Its period of creation is identified as: 1st quarter 20th Century.
The Conserving Museum
"LES CRIMES ALLEMANDS / ACHEVEMENT DES BLESSES" is preserved at musée du temps, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
LES CRIMES ALLEMANDS / ACHEVEMENT DES BLESSES est une oeuvre de BASSANI L (imprimeur);DORVILLE Noël (illustrateur, d'après), conservée au musée du temps. papier cartonné, procédé photomécanique, noir & blanc est le procédé utilisé pour cette oeuvre. Elle mesure L. 18.1 cm ; H. 14 cm. Elle figure : scène (Guerre de 14-18,soldat,Allemagne,homme). Elle a été créée durant la 1er quart 20e siècle. Note sur cette oeuvre : Noël Dorville : Mercurey, 1874 ; Cosne-sur-Loire, 1938#Peintre, caricaturiste et affichiste français.
Creation context
BASSANI L (imprimeur);DORVILLE Noël (illustrateur, d'après) crée LES CRIMES ALLEMANDS / ACHEVEMENT DES BLESSES à une époque où la 1er quart 20e siècle transforme en profondeur le paysage artistique. Le musée du temps, qui abrite cette œuvre, offre au visiteur la possibilité de mesurer l'influence du contexte historique et culturel sur la démarche de l'artiste. Les circonstances de la création éclairent le sens et la portée de cette pièce remarquable.
See also
Frequently Asked Questions
Everything you need to know
The work « LES CRIMES ALLEMANDS / ACHEVEMENT DES BLESSES » is held at musée du temps, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to BASSANI L (imprimeur);DORVILLE Noël (illustrateur, d'après) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.