"Les Bouches inutiles"
Description
Huile sur toile très fine ; Vue d'une partie des fortifications de Château-Gaillard (en haut à gauche) et des fossés dans lesquels une foule d'indigents est esquissée. A l'arrière-plan, le pont sur la Seine et les collines. Ciel rose orangé.
Subject depicted
(Les Andelys, histoire, château)
About this work
The artwork titled ""Les Bouches inutiles"", attributed to Tattegrain Francis (1852-1915), is preserved at musée Blanche Hoschedé-Monet. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.
Technique and Materials
This work belongs to the field: peinture, histoire. It was created using the following materials and techniques: toile (huile et essence). Its period of creation is identified as: 4th quarter 19th Century.
The Conserving Museum
musée Blanche Hoschedé-Monet preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
"Les Bouches inutiles", oeuvre de peinture, histoire, est due à Tattegrain Francis (1852-1915) et conservée au musée Blanche Hoschedé-Monet. Elle est réalisée avec la technique suivante : toile (huile et essence). Elle mesure Hauteur en cm 33 ; Largeur en cm 46,5 ; Hauteur avec cadre en cm 39,8 ; Largeur avec cadre en cm 53,2 ; Epaisseur avec cadre en cm 3,5. Le motif représenté : (Les Andelys, histoire, château). Sa période de création est la 4e quart 19e siècle. Précisions sur cette oeuvre : Tattegrain Francis : Péronne, 1852 ; Arras, 1915 ; nationalité : Française.
Creation context
Dans quel contexte Tattegrain Francis (1852-1915) a-t-il créé "Les Bouches inutiles" ? La 4e quart 19e siècle constitue un moment de profonde effervescence créatrice, qui nourrit et stimule la démarche de l'artiste. Le musée Blanche Hoschedé-Monet, qui détient cette œuvre, permet au visiteur de comprendre les liens qui unissent la création artistique aux circonstances historiques de son émergence.
See also
Technique
Domain
Related pages
Frequently Asked Questions
Everything you need to know
The work « "Les Bouches inutiles" » is held at musée Blanche Hoschedé-Monet, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to Tattegrain Francis (1852-1915) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.