Le Vieux Vendôme (02) : Frontispice
School : France
Subject depicted
représentation d'objet (bas-relief, armoiries),scène (saint Georges, équestre, cheval, dragon),armoiries (lion)
About this work
The artwork titled "Le Vieux Vendôme (02) : Frontispice", attributed to QUEYROY Louis Armand (graveur, dessinateur);LIENARD (imprimeur), is preserved at musée municipal. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.
Technique and Materials
This work belongs to the field: estampe. It was created using the following materials and techniques: papier vergé, filigrané, eau-forte. Its period of creation is identified as: 3rd quarter 19th Century.
The Conserving Museum
musée municipal preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
Le Vieux Vendôme (02) : Frontispice (QUEYROY Louis Armand (graveur, dessinateur);LIENARD (imprimeur)) est une oeuvre des collections du musée municipal relevant de estampe. Cette pièce est en papier vergé, filigrané, eau-forte. Elle mesure l. 34.9 cm ; H. 53.9 cm. Elle figure : représentation d'objet (bas-relief, armoiries),scène (saint Georges, équestre, cheval, dragon),armoiries (lion). La création de cette oeuvre remonte à la 3e quart 19e siècle. Concernant cette pièce : QUEYROY : Vendôme, 1830 ; Moulins, 1893. Il reçoit un enseignement artistique au collège de Vendôme et pratique le dessin académique. Ensuite il complète sa formation de peintre dans l'atelier d'Evariste Luminais, surtout connu pour ses thèmes paysans et ses vues de Bretagne. Il s'intéresse très tôt à la gravure et se spécialise dans la technique de l'eau-forte, reprenant souvent les sujets de ses toiles. Il publie plusieurs albums consacrés aux vues de monuments et villes françaises. Conservateur du musée de Moulins à partir de 1862, il amasse parallèlement une remarquable collection de sculptures du Moyen Age, d'émaux, de faïences et de ferronneries. En 1865, il participe à la création de la Société des Aquafortistes. Imprimerie Liénard à Paris.
Creation context
La création de Le Vieux Vendôme (02) : Frontispice s'inscrit dans un moment charnière de la 3e quart 19e siècle. QUEYROY Louis Armand (graveur, dessinateur);LIENARD (imprimeur) y répond aux interrogations de son temps avec une acuité remarquable, produisant une œuvre dont le musée municipal assure aujourd'hui la conservation et la diffusion auprès du public. Le contexte de création enrichit la compréhension de cette pièce majeure.
See also
Technique
Domain
Related pages
Frequently Asked Questions
Everything you need to know
The work « Le Vieux Vendôme (02) : Frontispice » is held at musée municipal, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to QUEYROY Louis Armand (graveur, dessinateur);LIENARD (imprimeur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.