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Le Jugement dernier
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Le Jugement dernier

WEYDEN Rogier van der (dit), PASTURE Rogier de la (d’après);JACQUET Jules — JACQUET Jules : Paris, 1841 ; Paris, 1913 WEYDEN Rogier van der : Tournai, 1400 ; Bruxelles, 1464 ; Jules Jacquet : graveur au burin et aquafortiste ; élève de Louis-Pierre Henriquel-Dupont, Isidore Pils et Laemlin à l’Ecole des Beaux-Arts ; président de la Société des graveurs au burin à partir de 1883 ; a beaucoup gravé d’après les maîtres anciens et les maîtres modernes — 2nd half 19th Century;1st quarter 20th Century

School : France

Subject depicted

scène biblique (Jugement dernier, Christ, gloire, juge, Vierge, saint, prophète, Apôtre, saint Jean-Baptiste, Passion, Instrument de la Passion, Archange, saint Michel, balance, Paradis, Elu, Damné, Enfer, âme, ange)

About this work

The artwork titled "Le Jugement dernier", attributed to WEYDEN Rogier van der (dit), PASTURE Rogier de la (d’après);JACQUET Jules, is preserved at musée Sarret de Grozon. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.

Technique and Materials

This work belongs to the field: beaux-arts, estampe. It was created using the following materials and techniques: estampe (eau-forte et burin), papier. Its period of creation is identified as: 2nd half 19th Century;1st quarter 20th Century.

The Conserving Museum

musée Sarret de Grozon preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

De WEYDEN Rogier van der (dit), PASTURE Rogier de la (d’après);JACQUET Jules, Le Jugement dernier est conservée au musée Sarret de Grozon dans le domaine beaux-arts, estampe. Elle est réalisée avec la technique suivante : estampe (eau-forte et burin), papier. Dimensions : H. 42,5 ; L. 84. On y reconnaît : scène biblique (Jugement dernier, Christ, gloire, juge, Vierge, saint, prophète, Apôtre, saint Jean-Baptiste, Passion, Instrument de la Passion, Archange, saint Michel, balance, Paradis, Elu, Damné, Enfer, âme, ange). Elle est datée de la 2e moitié 19e siècle;1er quart 20e siècle. Concernant cette pièce : JACQUET Jules : Paris, 1841 ; Paris, 1913 WEYDEN Rogier van der : Tournai, 1400 ; Bruxelles, 1464 ; Jules Jacquet : graveur au burin et aquafortiste ; élève de Louis-Pierre Henriquel-Dupont, Isidore Pils et Laemlin à l’Ecole des Beaux-Arts ; président de la Société des graveurs au burin à partir de 1883 ; a beaucoup gravé d’après les maîtres anciens et les maîtres modernes.

Creation context

WEYDEN Rogier van der (dit), PASTURE Rogier de la (d’après);JACQUET Jules achève Le Jugement dernier dans un climat artistique profondément marqué par la 2e moitié 19e siècle;1er quart 20e siècle. Le musée Sarret de Grozon, qui en conserve l'original, perpétue ainsi la mémoire d'un moment essentiel de l'histoire de l'art, où les créateurs ont su répondre aux défis de leur époque avec inventivité et audace.

Frequently Asked Questions

Everything you need to know

The work « Le Jugement dernier » is held at musée Sarret de Grozon, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to WEYDEN Rogier van der (dit), PASTURE Rogier de la (d’après);JACQUET Jules according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.