Le cri des Africains contre les Européens leurs oppresseurs ou coup d'oeil sur le commerce homicide appelé Traite des Noirs (titre inscrit)
About this work
The artwork titled "Le cri des Africains contre les Européens leurs oppresseurs ou coup d'oeil sur le commerce homicide appelé Traite des Noirs (titre inscrit)", attributed to CLARKSON Thomas (auteur), is preserved at musée Schoelcher. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: imprimé, mémoire de l'esclavage. It was created using the following materials and techniques: papier, encre (imprimé). Its period of creation is identified as: 1st quarter 19th Century.
The Conserving Museum
"Le cri des Africains contre les Européens leurs oppresseurs ou coup d'oeil sur le commerce homicide appelé Traite des Noirs (titre inscrit)" is preserved at musée Schoelcher, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
Le musée Schoelcher conserve Le cri des Africains contre les Européens leurs oppresseurs ou coup d'oeil sur le commerce homicide appelé Traite des Noirs (titre inscrit), oeuvre de CLARKSON Thomas (auteur). CLARKSON Thomas (auteur) a utilisé ici papier, encre (imprimé). Les dimensions de l'oeuvre sont : H. 22 cm ; l. 14 cm. Elle est datée de la 1er quart 19e siècle. Concernant cette pièce : CLARKSON Thomas : Cambridgeshire (Angleterre) 1760 ; Playford (Suffolk), 1846. Abolitionniste anglais anglican.
Creation context
La création de Le cri des Africains contre les Européens leurs oppresseurs ou coup d'oeil sur le commerce homicide appelé Traite des Noirs (titre inscrit) s'inscrit dans un moment charnière de la 1er quart 19e siècle. CLARKSON Thomas (auteur) y répond aux interrogations de son temps avec une acuité remarquable, produisant une œuvre dont le musée Schoelcher assure aujourd'hui la conservation et la diffusion auprès du public. Le contexte de création enrichit la compréhension de cette pièce majeure.
See also
Technique
Related pages
Frequently Asked Questions
Everything you need to know
The work « Le cri des Africains contre les Européens leurs oppresseurs ou coup d'oeil sur le commerce homicide appelé Traite des Noirs (titre inscrit) » is held at musée Schoelcher, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to CLARKSON Thomas (auteur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.