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La Vierge avec l'Enfant écrasant la tête du serpent sur le globe
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La Vierge avec l'Enfant écrasant la tête du serpent sur le globe

AVANZINI Pier Antonio — born 1656 Vers 1733 — 17th Century;18th Century

School : Lombard

About this work

The artwork titled "La Vierge avec l'Enfant écrasant la tête du serpent sur le globe", attributed to AVANZINI Pier Antonio, is preserved at musée du Louvre. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.

Technique and Materials

This work belongs to the field: dessin. It was created using the following materials and techniques: sanguine, lavis de sanguine, pierre noire. Its period of creation is identified as: 17th Century;18th Century.

The Conserving Museum

musée du Louvre preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

Au musée du Louvre, on trouve La Vierge avec l'Enfant écrasant la tête du serpent sur le globe, oeuvre de AVANZINI Pier Antonio. sanguine, lavis de sanguine, pierre noire est le procédé utilisé pour cette oeuvre. Format : H. en m 0,299 ; L. en m 0,196. Elle est datée de la 17e siècle;18e siècle. Précisions sur cette oeuvre : né en 1656 Vers 1733.

Creation context

La Vierge avec l'Enfant écrasant la tête du serpent sur le globe émerge du bouillonnement de la 17e siècle;18e siècle, époque où AVANZINI Pier Antonio atteint la pleine maturité de son art. Visible au musée du Louvre, cette œuvre illustre à quel point le contexte historique nourrit et façonne la création artistique, lui conférant une profondeur qui va bien au-delà de la seule dimension esthétique.

Frequently Asked Questions

Everything you need to know

The work « La Vierge avec l'Enfant écrasant la tête du serpent sur le globe » is held at musée du Louvre, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to AVANZINI Pier Antonio according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.