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La très sainte Vierge de Séville
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La très sainte Vierge de Séville

MARIN-LAVIGNE Louis Stanislas (lithographe);BULLA Antoine (éditeur);Murillo Bartolomé Esteban (1618-1682) (d'après) — MARIN-LAVIGNE : Paris, 1797 ; Paris, 1860#MURILLO : Séville, 1618 ; Séville, 1682 — 2nd quarter 19th Century

School : France;Espagne

Description

Lithographie sur papier de Chine sur papier vélin

Subject depicted

scène biblique (Vierge à l'Enfant, sainte Elisabeth, saint Jean-Baptiste, enfant, Dieu le Père, Saint-Esprit, croix, agneau)

About this work

The artwork titled "La très sainte Vierge de Séville", attributed to MARIN-LAVIGNE Louis Stanislas (lithographe);BULLA Antoine (éditeur);Murillo Bartolomé Esteban (1618-1682) (d'après), is preserved at musée national Magnin. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.

Technique and Materials

This work belongs to the field: estampe. It was created using the following materials and techniques: lithographie, papier de Chine, papier vélin. Its period of creation is identified as: 2nd quarter 19th Century.

The Conserving Museum

"La très sainte Vierge de Séville" is preserved at musée national Magnin, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

La très sainte Vierge de Séville de MARIN-LAVIGNE Louis Stanislas (lithographe);BULLA Antoine (éditeur);Murillo Bartolomé Esteban (1618-1682) (d'après) figure dans les collections du musée national Magnin. Le procédé technique employé est lithographie, papier de Chine, papier vélin. L'oeuvre présente les dimensions suivantes : H. 0.476 ; L. 0.356. Le motif représenté : scène biblique (Vierge à l'Enfant, sainte Elisabeth, saint Jean-Baptiste, enfant, Dieu le Père, Saint-Esprit, croix, agneau). Sa période de création est la 2e quart 19e siècle. À propos de cette pièce : MARIN-LAVIGNE : Paris, 1797 ; Paris, 1860#MURILLO : Séville, 1618 ; Séville, 1682.

Creation context

La genèse de La très sainte Vierge de Séville par MARIN-LAVIGNE Louis Stanislas (lithographe);BULLA Antoine (éditeur);Murillo Bartolomé Esteban (1618-1682) (d'après) est indissociable de l'atmosphère culturelle de la 2e quart 19e siècle, moment de grands changements dans l'histoire de l'art. Conservée au musée national Magnin, cette œuvre renferme les échos d'un monde en pleine transformation, où les artistes cherchent de nouvelles manières de représenter la réalité.

Frequently Asked Questions

Everything you need to know

The work « La très sainte Vierge de Séville » is held at musée national Magnin, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to MARIN-LAVIGNE Louis Stanislas (lithographe);BULLA Antoine (éditeur);Murillo Bartolomé Esteban (1618-1682) (d'après) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.