La reconstruction de Jérusalem
School : France
About this work
The artwork titled "La reconstruction de Jérusalem", attributed to Leclerc Sébastien (1676-1763) (graveur);Sercy Charles de (1623-1700) (éditeur);Fine de Brianville Claude-Oronce (1608-1674) (écrivain), is preserved at musée des beaux-arts. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: estampe. It was created using the following materials and techniques: eau-forte, papier. Its period of creation is identified as: 3rd quarter 17th Century.
The Conserving Museum
"La reconstruction de Jérusalem" is preserved at musée des beaux-arts, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
La reconstruction de Jérusalem, oeuvre de estampe, est due à Leclerc Sébastien (1676-1763) (graveur);Sercy Charles de (1623-1700) (éditeur);Fine de Brianville Claude-Oronce (1608-1674) (écrivain) et conservée au musée des beaux-arts. Le procédé technique employé est eau-forte, papier. La pièce a pour dimensions Hauteur x Largeur : 5,5x7,5 cm. Elle a été créée durant la 3e quart 17e siècle. Détail à relever : Leclerc ou Le Clerc Sébastien II, fils ou Le Jeune : né en 1676 ; mort en 1763.
Creation context
La genèse de La reconstruction de Jérusalem par Leclerc Sébastien (1676-1763) (graveur);Sercy Charles de (1623-1700) (éditeur);Fine de Brianville Claude-Oronce (1608-1674) (écrivain) est indissociable de l'atmosphère culturelle de la 3e quart 17e siècle, moment de grands changements dans l'histoire de l'art. Conservée au musée des beaux-arts, cette œuvre renferme les échos d'un monde en pleine transformation, où les artistes cherchent de nouvelles manières de représenter la réalité.
See also
Frequently Asked Questions
Everything you need to know
The work « La reconstruction de Jérusalem » is held at musée des beaux-arts, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to Leclerc Sébastien (1676-1763) (graveur);Sercy Charles de (1623-1700) (éditeur);Fine de Brianville Claude-Oronce (1608-1674) (écrivain) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.