La reconnaissance
Description
maquette au 1/10e. Au pied de la statue que supporte un socle élevé se trouve un groupe de deux personnages. Une femme assise sur les degrés du piédestal, montre à son fils, jeune ouvrier forgeron qui tient à la main des tenailles, la statue de M. Schneider. Elle semble donner en exemple à son fils le fondateur du Creusot qui, par son génie et son labeur incessant, réussit à créer lusine formidable qui sétend devant lui (source : catalogue du centre de ressources documentaires de l'Ecomusée).
Subject depicted
portrait (homme, Schneider Eugène, costume, debout)
About this work
The artwork titled "La reconnaissance", attributed to CHAPU Henri Michel Antoine (sculpteur);SEDILLE Paul (architecte), is preserved at écomusée de la communauté Le Creusot-Monceau-les-Mines. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: sculpture, histoire. It was created using the following materials and techniques: bronze, marbre. Its period of creation is identified as: 4th quarter 19th Century.
The Conserving Museum
"La reconnaissance" is preserved at écomusée de la communauté Le Creusot-Monceau-les-Mines, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
Le écomusée de la communauté Le Creusot-Monceau-les-Mines conserve La reconnaissance, oeuvre de CHAPU Henri Michel Antoine (sculpteur);SEDILLE Paul (architecte). Elle est réalisée avec la technique suivante : bronze, marbre. La pièce a pour dimensions L. 42 cm ; H. 73 cm ; P. 42 cm ; VOLUM. 0,1288. Sujet représenté : portrait (homme, Schneider Eugène, costume, debout). Elle est datée de la 4e quart 19e siècle. On sait de cette oeuvre que : CHAPU : Le Mée-sur-Seine, 1833 ; Paris, 1891#SEDILLE : Paris 1836 ; Paris, 1900.
Creation context
Quand CHAPU Henri Michel Antoine (sculpteur);SEDILLE Paul (architecte) entreprend la réalisation de La reconnaissance, la 4e quart 19e siècle bat son plein et redéfinit les codes de la création. Cette œuvre, aujourd'hui au écomusée de la communauté Le Creusot-Monceau-les-Mines, porte la marque indélébile de son époque, témoignant des tensions créatrices et des aspirations qui animent alors les milieux artistiques.
See also
Technique
Domain
Related pages
Frequently Asked Questions
Everything you need to know
The work « La reconnaissance » is held at écomusée de la communauté Le Creusot-Monceau-les-Mines, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to CHAPU Henri Michel Antoine (sculpteur);SEDILLE Paul (architecte) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
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