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La femme de Cyrille Poncet dans sa ferme de Pommiers engraissant des chapons
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La femme de Cyrille Poncet dans sa ferme de Pommiers engraissant des chapons

TOURNASSOUD Jean-Baptiste (photographe) — 2nd quarter 20th Century

Subject depicted

Bresse,Saint-Etienne-du-Bois,scène (cour de ferme, Poncet Mme : assis, chaise, alimentation animale : chapon, échelle)

About this work

The artwork titled "La femme de Cyrille Poncet dans sa ferme de Pommiers engraissant des chapons", attributed to TOURNASSOUD Jean-Baptiste (photographe), is preserved at musées des pays de l'Ain. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.

Technique and Materials

This work belongs to the field: photographie, agriculture - élevage, ethnologie. It was created using the following materials and techniques: noir et blanc, verre. Its period of creation is identified as: 2nd quarter 20th Century.

The Conserving Museum

musées des pays de l'Ain preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

Le musées des pays de l'Ain conserve La femme de Cyrille Poncet dans sa ferme de Pommiers engraissant des chapons, oeuvre de TOURNASSOUD Jean-Baptiste (photographe). La technique employée est : noir et blanc, verre. Ses dimensions sont 13, 18. L'oeuvre dépeint : Bresse,Saint-Etienne-du-Bois,scène (cour de ferme, Poncet Mme : assis, chaise, alimentation animale : chapon, échelle). L'oeuvre appartient à la 2e quart 20e siècle.

Creation context

La genèse de La femme de Cyrille Poncet dans sa ferme de Pommiers engraissant des chapons par TOURNASSOUD Jean-Baptiste (photographe) est indissociable de l'atmosphère culturelle de la 2e quart 20e siècle, moment de grands changements dans l'histoire de l'art. Conservée au musées des pays de l'Ain, cette œuvre renferme les échos d'un monde en pleine transformation, où les artistes cherchent de nouvelles manières de représenter la réalité.

Frequently Asked Questions

Everything you need to know

The work « La femme de Cyrille Poncet dans sa ferme de Pommiers engraissant des chapons » is held at musées des pays de l'Ain, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to TOURNASSOUD Jean-Baptiste (photographe) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.