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LA CURÉE DU LIÈVRE (titre inscrit)
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LA CURÉE DU LIÈVRE (titre inscrit)

Engelmann Godefroy (1788-1839) (lithographe, éditeur);Adam Albert (1833-1900) (dessinateur) — Engelmann Godefroy : Mulhouse, 1788 ; Mulhouse, 1839 ; Adam : Paris, 1833, (?), 1900. Fils et élève de Victor Adam — 2nd quarter 19th Century

Description

Après l'exercice, les chasseurs se retrouvent avec leur chiens à qui ils offrent le lièvre attrapé

Subject depicted

scène (chasse à tir, chasseur, chien, curée)

About this work

The artwork titled "LA CURÉE DU LIÈVRE (titre inscrit)", attributed to Engelmann Godefroy (1788-1839) (lithographe, éditeur);Adam Albert (1833-1900) (dessinateur), is preserved at château-musée de Gien : chasse, histoire et nature en Val de Loire. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.

Technique and Materials

This work belongs to the field: estampe, beaux-arts, chasse - pêche - cueillette. It was created using the following materials and techniques: papier (chromolithographie). Its period of creation is identified as: 2nd quarter 19th Century.

The Conserving Museum

"LA CURÉE DU LIÈVRE (titre inscrit)" is preserved at château-musée de Gien : chasse, histoire et nature en Val de Loire, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

Le château-musée de Gien : chasse, histoire et nature en Val de Loire conserve LA CURÉE DU LIÈVRE (titre inscrit), oeuvre de Engelmann Godefroy (1788-1839) (lithographe, éditeur);Adam Albert (1833-1900) (dessinateur). Le procédé technique employé est papier (chromolithographie). Elle mesure H. 52 cm ; l. 62.8 cm (cadre). On y reconnaît : scène (chasse à tir, chasseur, chien, curée). Elle est datée de la 2e quart 19e siècle. Complément d'information : Engelmann Godefroy : Mulhouse, 1788 ; Mulhouse, 1839 ; Adam : Paris, 1833, (?), 1900. Fils et élève de Victor Adam.

Creation context

Comment le contexte de la 2e quart 19e siècle a-t-il influencé la création de LA CURÉE DU LIÈVRE (titre inscrit) ? Engelmann Godefroy (1788-1839) (lithographe, éditeur);Adam Albert (1833-1900) (dessinateur) travaille à cette époque dans un climat de renouveau qui irrigue sa pratique et oriente ses choix formels. Le château-musée de Gien : chasse, histoire et nature en Val de Loire offre au visiteur l'occasion de saisir cette dimension contextuelle essentielle à la compréhension de l'œuvre.

Frequently Asked Questions

Everything you need to know

The work « LA CURÉE DU LIÈVRE (titre inscrit) » is held at château-musée de Gien : chasse, histoire et nature en Val de Loire, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to Engelmann Godefroy (1788-1839) (lithographe, éditeur);Adam Albert (1833-1900) (dessinateur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.