La Course des chevaux libres : la Mossa, d'après Géricault
School : France
Subject depicted
scène (cheval, compétition, homme, Italien, Rome)
About this work
The artwork titled "La Course des chevaux libres : la Mossa, d'après Géricault", attributed to LEROUX Eugène;GERICAULT Théodore (d'après), is preserved at musée Gustave Moreau. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.
Technique and Materials
This work belongs to the field: estampe. It was created using the following materials and techniques: lithographie. Its period of creation is identified as: 2nd half 19th Century.
The Conserving Museum
"La Course des chevaux libres : la Mossa, d'après Géricault" is preserved at musée Gustave Moreau, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
L'oeuvre La Course des chevaux libres : la Mossa, d'après Géricault de LEROUX Eugène;GERICAULT Théodore (d'après) fait partie des collections du musée Gustave Moreau. Elle est réalisée avec la technique suivante : lithographie. Cette pièce mesure H. 18.9, l. 25.2. Elle figure : scène (cheval, compétition, homme, Italien, Rome). L'oeuvre appartient à la 2e moitié 19e siècle. Détail à relever : Leroux : 1807 ; 1863#Géricault : Rouen, 1791 ; Paris, 1824.
Creation context
La création de La Course des chevaux libres : la Mossa, d'après Géricault par LEROUX Eugène;GERICAULT Théodore (d'après) s'inscrit dans le climat culturel et intellectuel de la 2e moitié 19e siècle. Conservée au musée Gustave Moreau, cette œuvre porte en elle les empreintes d'un moment charnière de l'histoire de l'art, où les artistes explorent de nouvelles formes d'expression et repoussent les limites de leur pratique.
See also
Technique
Domain
Related pages
Frequently Asked Questions
Everything you need to know
The work « La Course des chevaux libres : la Mossa, d'après Géricault » is held at musée Gustave Moreau, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to LEROUX Eugène;GERICAULT Théodore (d'après) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.