LA BELLE AU BOIS DORMANT. - LES TROIS SOUHAITS. / (CONTES DES FÉES.) (titre inscrit)
Subject depicted
scènes (cycle narratif, La Belle au Bois Dormant, chevalier, armure, casque, plume, lance, cheval, reine, couronne, serviteur, baptême, vieille, fée, prédiction, repas, trône, cruche, jeune femme, cacher, princesse, quenouille, niche, statue, sommeil, soldat, hallebarde, vieillard, doigt, désigner, château, prince, main, baiser, fillette, cuisinier, larmes, couteau, cuve, serpent, châtiment, ogresse, saut, bûcheron, intérieur : maison, cuisine, cheminée, hache, bouteille, poêle, apparition, nuage, baguette, souhait, boudin, dispute, nez, étonnement, colère)
About this work
The artwork titled "LA BELLE AU BOIS DORMANT. - LES TROIS SOUHAITS. / (CONTES DES FÉES.) (titre inscrit)", attributed to Dembour & Gangel (imprimeur, éditeur), is preserved at musée de l'image. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: estampe. It was created using the following materials and techniques: papier (lithographie (colorié au pochoir)). Its period of creation is identified as: 2nd quarter 19th Century;1ère moitié 19th Century.
The Conserving Museum
musée de l'image preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
L'oeuvre intitulée LA BELLE AU BOIS DORMANT. - LES TROIS SOUHAITS. / (CONTES DES FÉES.) (titre inscrit) est attribuée à Dembour & Gangel (imprimeur, éditeur) et se trouve au musée de l'image. Cette oeuvre est réalisée en papier (lithographie (colorié au pochoir)). L'oeuvre présente les dimensions suivantes : H. 44.8 cm ; l. 32.7 cm (feuille). Le motif représenté : scènes (cycle narratif, La Belle au Bois Dormant, chevalier, armure, casque, plume, lance, cheval, reine, couronne, serviteur, baptême, vieille, fée, prédiction, repas, trône, cruche, jeune femme, cacher, princesse, quenouille, niche, statue, sommeil, soldat, hallebarde, vieillard, doigt, désigner, château, prince, main, baiser, fillette, cuisinier, larmes, couteau, cuve, serpent, châtiment, ogresse, saut, bûcheron, intérieur : maison, cuisine, cheminée, hache, bouteille, poêle, apparition, nuage, baguette, souhait, boudin, dispute, nez, étonnement, colère). Elle est datée de la 2e quart 19e siècle;1ère moitié 19e siècle. Complément d'information : Dembour et Gangel : actif entre 1840 et 1851.
Creation context
La 2e quart 19e siècle;1ère moitié 19e siècle offre à Dembour & Gangel (imprimeur, éditeur) le terreau fertile pour concevoir LA BELLE AU BOIS DORMANT. - LES TROIS SOUHAITS. / (CONTES DES FÉES.) (titre inscrit). Cette œuvre, désormais joyau du musée de l'image, est le fruit d'un dialogue constant entre l'artiste et les idées de son siècle. Le contexte de création confère à la pièce une dimension historique qui enrichit considérablement sa lecture.
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Domain
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Frequently Asked Questions
Everything you need to know
The work « LA BELLE AU BOIS DORMANT. - LES TROIS SOUHAITS. / (CONTES DES FÉES.) (titre inscrit) » is held at musée de l'image, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to Dembour & Gangel (imprimeur, éditeur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
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