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L'Entrée du Grand Temple de Palmire du coté du Nord (titre inscrit, ang., fr.)
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L'Entrée du Grand Temple de Palmire du coté du Nord (titre inscrit, ang., fr.)

Daumont Jean François (1717-1768) (marchand d'estampes, éditeur, attribué à) — Daumont Cuny François (marchand d'estampes, éditeur) : actif de 1746 à 1768 — 2nd half 18th Century;3rd quarter 18th Century

Subject depicted

vue d'architecture (Palmyre : Grèce hist, temple, ruines, arc monumental, colonne, niche architecturale, homme, lance, effet de perspective)

About this work

The artwork titled "L'Entrée du Grand Temple de Palmire du coté du Nord (titre inscrit, ang., fr.)", attributed to Daumont Jean François (1717-1768) (marchand d'estampes, éditeur, attribué à), is preserved at musée de l'image. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.

Technique and Materials

This work belongs to the field: estampe, histoire, architecture. It was created using the following materials and techniques: papier vergé (procédé de gravure en creux (colorié au pinceau)). Its period of creation is identified as: 2nd half 18th Century;3rd quarter 18th Century.

The Conserving Museum

"L'Entrée du Grand Temple de Palmire du coté du Nord (titre inscrit, ang., fr.)" is preserved at musée de l'image, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

L'Entrée du Grand Temple de Palmire du coté du Nord (titre inscrit, ang., fr.) est une oeuvre de Daumont Jean François (1717-1768) (marchand d'estampes, éditeur, attribué à), conservée au musée de l'image. Daumont Jean François (1717-1768) (marchand d'estampes, éditeur, attribué à) a utilisé ici papier vergé (procédé de gravure en creux (colorié au pinceau)). Dimensions : H. 24.4 cm ; l. 42.5 cm (feuille). Elle figure : vue d'architecture (Palmyre : Grèce hist, temple, ruines, arc monumental, colonne, niche architecturale, homme, lance, effet de perspective). Cette réalisation date de la 2e moitié 18e siècle;3e quart 18e siècle. Complément d'information : Daumont Cuny François (marchand d'estampes, éditeur) : actif de 1746 à 1768.

Creation context

C'est sous l'influence de la 2e moitié 18e siècle;3e quart 18e siècle que Daumont Jean François (1717-1768) (marchand d'estampes, éditeur, attribué à) donne vie à L'Entrée du Grand Temple de Palmire du coté du Nord (titre inscrit, ang., fr.). Aujourd'hui parmi les pièces les plus visitées du musée de l'image, cette œuvre rappelle un chapitre fondamental de l'histoire artistique, celui d'une époque où la création se réinvente en permanence.

Frequently Asked Questions

Everything you need to know

The work « L'Entrée du Grand Temple de Palmire du coté du Nord (titre inscrit, ang., fr.) » is held at musée de l'image, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to Daumont Jean François (1717-1768) (marchand d'estampes, éditeur, attribué à) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.