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L'Assomption de la Vierge
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L'Assomption de la Vierge

CHAMPAIGNE Philippe de (peintre) — CHAMPAIGNE : Bruxelles, 1602 ; Paris, 1674 ; nationalité : Française — 2nd quarter 17th Century

School : France

Subject depicted

scène biblique (Assomption, ange)

About this work

The artwork titled "L'Assomption de la Vierge", attributed to CHAMPAIGNE Philippe de (peintre), is preserved at musée Thomas-Henry. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.

Technique and Materials

This work belongs to the field: peinture. It was created using the following materials and techniques: peinture à l'huile, bois. Its period of creation is identified as: 2nd quarter 17th Century.

The Conserving Museum

"L'Assomption de la Vierge" is preserved at musée Thomas-Henry, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

L'Assomption de la Vierge (CHAMPAIGNE Philippe de (peintre)) est une oeuvre des collections du musée Thomas-Henry relevant de peinture. peinture à l'huile, bois est le procédé utilisé pour cette oeuvre. Elle mesure Hauteur sans cadre en cm 131 ; Largeur sans cadre en cm 112 ; Hauteur avec cadre en cm 147 ; Largeur avec cadre en cm 129 ; Profondeur avec cadre en cm 8. Elle figure : scène biblique (Assomption, ange). L'oeuvre appartient à la 2e quart 17e siècle. Note sur cette oeuvre : CHAMPAIGNE : Bruxelles, 1602 ; Paris, 1674 ; nationalité : Française.

Creation context

L'Assomption de la Vierge émerge du bouillonnement de la 2e quart 17e siècle, époque où CHAMPAIGNE Philippe de (peintre) atteint la pleine maturité de son art. Visible au musée Thomas-Henry, cette œuvre illustre à quel point le contexte historique nourrit et façonne la création artistique, lui conférant une profondeur qui va bien au-delà de la seule dimension esthétique.

Frequently Asked Questions

Everything you need to know

The work « L'Assomption de la Vierge » is held at musée Thomas-Henry, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to CHAMPAIGNE Philippe de (peintre) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.