L'Adoration des Mages (titre d'usage)
School : Italie
Description
Saint Joseph, debout, à gauche, trois anges, la Sainte Vierge assise sur un trône tenant l'Enfant Jésus sur ses genoux. A droite, les Rois Mages se prosternent.
Subject depicted
scène biblique (la Vierge, Enfant Jésus, saint Joseph, Adoration des Mages, Les Mages, couronne, ange)
About this work
The artwork titled "L'Adoration des Mages (titre d'usage)", attributed to Chiari Giuseppe Bartolomeo (1654-1727) (attribué à);Maratta Carlo (1625-1713) (attribué à), is preserved at musée Granet. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: beaux-arts, peinture. It was created using the following materials and techniques: toile, rentoilé, croix de renfort, châssis extensible à clefs, peinture à l'huile, bois (doré (technique bois/ivoire), mouluré (technique bois/ivoire), cadre). Its period of creation is identified as: 17th Century;18th Century;17th Century.
The Conserving Museum
musée Granet preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
L'Adoration des Mages (titre d'usage), oeuvre de beaux-arts, peinture, est due à Chiari Giuseppe Bartolomeo (1654-1727) (attribué à);Maratta Carlo (1625-1713) (attribué à) et conservée au musée Granet. Chiari Giuseppe Bartolomeo (1654-1727) (attribué à);Maratta Carlo (1625-1713) (attribué à) a utilisé ici toile, rentoilé, croix de renfort, châssis extensible à clefs, peinture à l'huile, bois (doré (technique bois/ivoire), mouluré (technique bois/ivoire), cadre). Mesures : H. 136 cm, l. 174,7 cm, P. 7 cm, Poids 20,2 kg (hors tout) ; H. 119 cm, l. 157 cm, P. 2,5 cm (sans cadre). Sujet représenté : scène biblique (la Vierge, Enfant Jésus, saint Joseph, Adoration des Mages, Les Mages, couronne, ange). L'oeuvre appartient à la 17e siècle;18e siècle;17e siècle. Précisions sur cette oeuvre : Chiari Giuseppe : Rome, 1654 ; Rome, 1727#Maratta Carlo : Camerano, 1625 ; Rome, 1713.
Creation context
La 17e siècle;18e siècle;17e siècle offre à Chiari Giuseppe Bartolomeo (1654-1727) (attribué à);Maratta Carlo (1625-1713) (attribué à) le terreau fertile pour concevoir L'Adoration des Mages (titre d'usage). Cette œuvre, désormais joyau du musée Granet, est le fruit d'un dialogue constant entre l'artiste et les idées de son siècle. Le contexte de création confère à la pièce une dimension historique qui enrichit considérablement sa lecture.
See also
Domain
Author
Related pages
Frequently Asked Questions
Everything you need to know
The work « L'Adoration des Mages (titre d'usage) » is held at musée Granet, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to Chiari Giuseppe Bartolomeo (1654-1727) (attribué à);Maratta Carlo (1625-1713) (attribué à) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
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