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Je suis pas mort, je suis là (titre de la série)) ; Camouflage II - Takadoum. Rabat, Maroc, 2009
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Je suis pas mort, je suis là (titre de la série)) ; Camouflage II - Takadoum. Rabat, Maroc, 2009

Tura Laetitia (1978-....) — born 1978 ; femme — 1st quarter 21st Century

About this work

The artwork titled "Je suis pas mort, je suis là (titre de la série)) ; Camouflage II - Takadoum. Rabat, Maroc, 2009", attributed to Tura Laetitia (1978-....), is preserved at musée national de l'histoire et des cultures de l'immigration. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.

Technique and Materials

This work belongs to the field: photographie, migrations humaines, art contemporain. It was created using the following materials and techniques: Papier fine art 100% coton (impression à jet d'encre). Its period of creation is identified as: 1st quarter 21st Century.

The Conserving Museum

"Je suis pas mort, je suis là (titre de la série)) ; Camouflage II - Takadoum. Rabat, Maroc, 2009" is preserved at musée national de l'histoire et des cultures de l'immigration, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

Je suis pas mort, je suis là (titre de la série)) ; Camouflage II - Takadoum. Rabat, Maroc, 2009, oeuvre de photographie, migrations humaines, art contemporain, est due à Tura Laetitia (1978-..) et conservée au musée national de l'histoire et des cultures de l'immigration. Papier fine art 100% coton (impression à jet d'encre) est le procédé utilisé pour cette oeuvre. Mesures : H. 40 cm, L. 50 cm. L'oeuvre appartient à la 1er quart 21e siècle. Informations complémentaires : née en 1978 ; femme.

Creation context

Tura Laetitia (1978-....) achève Je suis pas mort, je suis là (titre de la série)) ; Camouflage II - Takadoum. Rabat, Maroc, 2009 dans un climat artistique profondément marqué par la 1er quart 21e siècle. Le musée national de l'histoire et des cultures de l'immigration, qui en conserve l'original, perpétue ainsi la mémoire d'un moment essentiel de l'histoire de l'art, où les créateurs ont su répondre aux défis de leur époque avec inventivité et audace.

Frequently Asked Questions

Everything you need to know

The work « Je suis pas mort, je suis là (titre de la série)) ; Camouflage II - Takadoum. Rabat, Maroc, 2009 » is held at musée national de l'histoire et des cultures de l'immigration, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to Tura Laetitia (1978-....) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.