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Il se jette entre le cheval abattu et le sanglier qui revient pour venger son sang
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Il se jette entre le cheval abattu et le sanglier qui revient pour venger son sang

MOREAU Jean-Michel (dessinateur);GHENDT Emmanuel-Jean- Népomucène De (graveur) — MOREAU Jean-Michel : Paris, 1741 ; Paris, 1814#GHENDT Emmanuel-Jean- Népomucène De : saint-nicolas, 1738 ; Paris, 1815 — 2nd half 18th Century;1st quarter 19th Century

School : France

Subject depicted

scène mythologique (télémaque, la chasse, sanglier, forêt, mythologie gréco-romaine)

About this work

The artwork titled "Il se jette entre le cheval abattu et le sanglier qui revient pour venger son sang", attributed to MOREAU Jean-Michel (dessinateur);GHENDT Emmanuel-Jean- Népomucène De (graveur), is preserved at musée municipal. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.

Technique and Materials

This work belongs to the field: estampe. It was created using the following materials and techniques: (eau-forte), papier. Its period of creation is identified as: 2nd half 18th Century;1st quarter 19th Century.

The Conserving Museum

musée municipal preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

Il se jette entre le cheval abattu et le sanglier qui revient pour venger son sang, oeuvre de estampe, est due à MOREAU Jean-Michel (dessinateur);GHENDT Emmanuel-Jean- Népomucène De (graveur) et conservée au musée municipal. Cette pièce est en (eau-forte), papier. Ses dimensions sont Hauteur en cm de la feuille 27,3 ; Largeur en cm de la feuille 17,2 ; Hauteur en cm de l'image 13,2 ; Largeur en cm de l'image 8,5. Le thème de l'oeuvre est : scène mythologique (télémaque, la chasse, sanglier, forêt, mythologie gréco-romaine). L'oeuvre date de la 2e moitié 18e siècle;1er quart 19e siècle. À propos de cette pièce : MOREAU Jean-Michel : Paris, 1741 ; Paris, 1814#GHENDT Emmanuel-Jean- Népomucène De : saint-nicolas, 1738 ; Paris, 1815.

Creation context

Il se jette entre le cheval abattu et le sanglier qui revient pour venger son sang est le produit de la rencontre entre le talent de MOREAU Jean-Michel (dessinateur);GHENDT Emmanuel-Jean- Népomucène De (graveur) et les aspirations de la 2e moitié 18e siècle;1er quart 19e siècle. Abritée au musée municipal, cette œuvre cristallise les questionnements artistiques propres à une époque qui voit naître de nouvelles formes d'expression et de nouveaux rapports à la création.

Frequently Asked Questions

Everything you need to know

The work « Il se jette entre le cheval abattu et le sanglier qui revient pour venger son sang » is held at musée municipal, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to MOREAU Jean-Michel (dessinateur);GHENDT Emmanuel-Jean- Népomucène De (graveur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.