HEUR ET MALHEUR DE LA CRINOLINE. (titre inscrit)
Subject depicted
suite de scènes (époque 19e siècle : Second Empire, homme : forgeron, le travail, marteau, enclume, femme, fabrication, demande, corset, robe : crinoline, couple, enfant : garçon, chute, redingote, chapeau haut-de-forme, soldat, visite, mensonge, cacher, nourrisson, portant, ombrelle, baignade, peur, cage : oie, jambon, policier, contrebande, bouteille : vin, tristesse, paysanne, parasol, sieste, en vol, dans les airs, personnage imaginaire : Paul, Virginie, domestique, verre à pied, gendarme, arrestation, ombrelle)
About this work
The artwork titled "HEUR ET MALHEUR DE LA CRINOLINE. (titre inscrit)", attributed to Gangel Charles Nicolas Auguste (1798-1860), is preserved at musée de l'image. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: estampe, histoire, vie sociale - culturelle, costume - accessoires du costume. It was created using the following materials and techniques: papier (lithographie (doré, colorié au pochoir)). Its period of creation is identified as: 3rd quarter 19th Century.
The Conserving Museum
musée de l'image preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
De Gangel Charles Nicolas Auguste (1798-1860), HEUR ET MALHEUR DE LA CRINOLINE. (titre inscrit) est conservée au musée de l'image dans le domaine estampe, histoire, vie sociale - culturelle, costume - accessoires du costume. Gangel Charles Nicolas Auguste (1798-1860) a utilisé ici papier (lithographie (doré, colorié au pochoir)). Elle mesure H. 46.1 cm ; l. 35.7 cm (feuille). Le motif représenté : suite de scènes (époque 19e siècle : Second Empire, homme : forgeron, le travail, marteau, enclume, femme, fabrication, demande, corset, robe : crinoline, couple, enfant : garçon, chute, redingote, chapeau haut-de-forme, soldat, visite, mensonge, cacher, nourrisson, portant, ombrelle, baignade, peur, cage : oie, jambon, policier, contrebande, bouteille : vin, tristesse, paysanne, parasol, sieste, en vol, dans les airs, personnage imaginaire : Paul, Virginie, domestique, verre à pied, gendarme, arrestation, ombrelle). L'oeuvre appartient à la 3e quart 19e siècle. Détail à relever : Gangel Charles Nicolas Auguste : 1798-1860 ; actif de 1852 à 1858.
Creation context
Gangel Charles Nicolas Auguste (1798-1860) conçoit HEUR ET MALHEUR DE LA CRINOLINE. (titre inscrit) dans un environnement artistique façonné par la 3e quart 19e siècle. Cette pièce, conservée au musée de l'image, porte l'empreinte des débats esthétiques et des innovations techniques qui animent alors la scène culturelle. Comprendre ce contexte permet d'apprécier pleinement la portée de l'œuvre.
See also
Frequently Asked Questions
Everything you need to know
The work « HEUR ET MALHEUR DE LA CRINOLINE. (titre inscrit) » is held at musée de l'image, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to Gangel Charles Nicolas Auguste (1798-1860) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.