Feuillets épars ; Charef (Collection)
Description
Edition originale sur papier Angoumois à la main de Sennelier, comprenant 67 feuillets dont les 54 premiers sont peints à la gouache, certains étant rehaussées à l'encre de Chine. Les 67 feuillets comportent un poème dactylographié à l'encre noire. L'extérieur du coffret est recouvert d'un papier peint velours, aux motifs floraux baroques beige et crème. La couverture présente une peinture insérée en cartouche. Les rabats intérieurs sont ornés de deux calligraphies à l'encre noire sur papier insérées en cartouche. L'intérieur du coffret est tapissée d'une peinture sur papier glacé ; Volume de 67 feuillets dans un coffret à couverture rempliée
About this work
The artwork titled "Feuillets épars ; Charef (Collection)", attributed to Benanteur Abdallah (1931-2017);Boucher-Benanteur Monique (1935-2014), is preserved at musée d'art contemporain du Val-de-Marne. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.
Technique and Materials
This work belongs to the field: art contemporain, imprimé, dessin. Its period of creation is identified as: 3rd quarter 20th Century.
The Conserving Museum
"Feuillets épars ; Charef (Collection)" is preserved at musée d'art contemporain du Val-de-Marne, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
L'oeuvre Feuillets épars ; Charef (Collection) de Benanteur Abdallah (1931-2017);Boucher-Benanteur Monique (1935-2014) fait partie des collections du musée d'art contemporain du Val-de-Marne. Les dimensions de l'oeuvre sont : H. 33, l. 33, P. 9. L'oeuvre date de la 3e quart 20e siècle. On sait de cette oeuvre que : Benanteur Abdallah ; Mostaganem (Algérie), 1931 ; Ivry-sur-Seine (Val-de-Marne), 2017 Née Boucher Monique ; Paris, 1935 ; 2014.
Creation context
Feuillets épars ; Charef (Collection) est le produit de la rencontre entre le talent de Benanteur Abdallah (1931-2017);Boucher-Benanteur Monique (1935-2014) et les aspirations de la 3e quart 20e siècle. Abritée au musée d'art contemporain du Val-de-Marne, cette œuvre cristallise les questionnements artistiques propres à une époque qui voit naître de nouvelles formes d'expression et de nouveaux rapports à la création.
See also
Artistic movements
Related pages
Frequently Asked Questions
Everything you need to know
The work « Feuillets épars ; Charef (Collection) » is held at musée d'art contemporain du Val-de-Marne, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to Benanteur Abdallah (1931-2017);Boucher-Benanteur Monique (1935-2014) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.