ENTRÉE DES FRANÇAIS DANS CONSTANTINE. N°87. (titre inscrit)
Subject depicted
scène historique (homme, Nemours duc de : Orléans Louis Charles Philippe d', soldat, armée : France, officier, uniforme, lancier, cavalerie, à cheval, entrée, ville, Algérie : Constantine, chef d'état, médiation, Algérien, costume traditionnel, ruines, palmier, canon, tambour, roue, pelle, sac, époque 19e siècle : Monarchie de juillet, guerre coloniale, colonisation)
About this work
The artwork titled "ENTRÉE DES FRANÇAIS DANS CONSTANTINE. N°87. (titre inscrit)", attributed to Dembour Adrien Népomucène (1799-1887), is preserved at musée de l'image. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: estampe, histoire, vie militaire. It was created using the following materials and techniques: papier, bois de fil (colorié au pochoir). Its period of creation is identified as: 3rd quarter 19th Century.
The Conserving Museum
musée de l'image preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
ENTRÉE DES FRANÇAIS DANS CONSTANTINE. N°87. (titre inscrit), signée Dembour Adrien Népomucène (1799-1887), est conservée au musée de l'image dans le domaine estampe, histoire, vie militaire. papier, bois de fil (colorié au pochoir) est le procédé utilisé pour cette oeuvre. Cette pièce mesure H. 40,6 cm ; l. 65,5 cm (feuille) ; H. 31,5 cm ; l. 61,5 cm (bois). L'oeuvre représente : scène historique (homme, Nemours duc de : Orléans Louis Charles Philippe d', soldat, armée : France, officier, uniforme, lancier, cavalerie, à cheval, entrée, ville, Algérie : Constantine, chef d'état, médiation, Algérien, costume traditionnel, ruines, palmier, canon, tambour, roue, pelle, sac, époque 19e siècle : Monarchie de juillet, guerre coloniale, colonisation). L'oeuvre appartient à la 3e quart 19e siècle. On sait de cette oeuvre que : Dembour Adrien Népomucène (graveur, attribué à ; imprimeur, éditeur) : Metz, 1799 ; Vittonville, 1887.
Creation context
C'est durant la 3e quart 19e siècle que Dembour Adrien Népomucène (1799-1887) conçoit ENTRÉE DES FRANÇAIS DANS CONSTANTINE. N°87. (titre inscrit), porté par un élan de renouvellement artistique qui traverse alors le monde de la création. Le musée de l'image conserve aujourd'hui cette pièce née d'un moment historique singulier, où les conventions esthétiques sont remises en question et où de nouvelles voies s'ouvrent aux artistes les plus audacieux.
See also
Technique
Related pages
Frequently Asked Questions
Everything you need to know
The work « ENTRÉE DES FRANÇAIS DANS CONSTANTINE. N°87. (titre inscrit) » is held at musée de l'image, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to Dembour Adrien Népomucène (1799-1887) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
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Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.