Entrée de Louis XVIII à Paris le 3 mai 1814 ; Recueil (factice) ("Histoire des ballons", tome 3) ; Recueil (factice) (Collection de Vinck:" Un siècle d'histoire de France par l'estampe, 1770-1870", vol 69)
Subject depicted
scène historique (Louis XVIII, fête, Paris, temple, pont, statue, équestre, Henri IV personnage, cortège, soldat, montgolfière)
About this work
The artwork titled "Entrée de Louis XVIII à Paris le 3 mai 1814 ; Recueil (factice) ("Histoire des ballons", tome 3) ; Recueil (factice) (Collection de Vinck:" Un siècle d'histoire de France par l'estampe, 1770-1870", vol 69)", attributed to BASSET (graveur, éditeur), is preserved at Musée national et domaine du château de Pau. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.
Technique and Materials
This work belongs to the field: estampe. It was created using the following materials and techniques: eau-forte, burin. Its period of creation is identified as: 1st quarter 19th Century.
The Conserving Museum
Musée national et domaine du château de Pau preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
On doit Entrée de Louis XVIII à Paris le 3 mai 1814 ; Recueil (factice) ("Histoire des ballons", tome 3) ; Recueil (factice) (Collection de Vinck:" Un siècle d'histoire de France par l'estampe, 1770-1870", vol 69) à BASSET (graveur, éditeur) ; l'oeuvre est au Musée national et domaine du château de Pau. Le procédé technique employé est eau-forte, burin. Ses dimensions sont Dimensions à la feuille entière ; Hauteur en cm 38.8 ; Largeur en cm 53.4 ; Dimensions au trait carré ; Hauteur en cm 25.3 ; Largeur en cm 41.1. L'oeuvre représente : scène historique (Louis XVIII, fête, Paris, temple, pont, statue, équestre, Henri IV personnage, cortège, soldat, montgolfière). Cette réalisation date de la 1er quart 19e siècle.
Creation context
La création de Entrée de Louis XVIII à Paris le 3 mai 1814 ; Recueil (factice) ("Histoire des ballons", tome 3) ; Recueil (factice) (Collection de Vinck:" Un siècle d'histoire de France par l'estampe, 1770-1870", vol 69) par BASSET (graveur, éditeur) s'inscrit dans le climat culturel et intellectuel de la 1er quart 19e siècle. Conservée au Musée national et domaine du château de Pau, cette œuvre porte en elle les empreintes d'un moment charnière de l'histoire de l'art, où les artistes explorent de nouvelles formes d'expression et repoussent les limites de leur pratique.
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Technique
Domain
Author
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Frequently Asked Questions
Everything you need to know
The work « Entrée de Louis XVIII à Paris le 3 mai 1814 ; Recueil (factice) ("Histoire des ballons", tome 3) ; Recueil (factice) (Collection de Vinck:" Un siècle d'histoire de France par l'estampe, 1770-1870", vol 69) » is held at Musée national et domaine du château de Pau, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to BASSET (graveur, éditeur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
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