Divers projets d'armes
School : Florence
Description
Pointe de métal, plume et encre brune, sur papier préparé bleu. Partiellement repris à la plume et encre brune. Annoté par l'artiste, à la plume et encre brune : [page de droite, de haut en bas] : Prima tona [ ?]/ fronda / mazza di ferro / e scoppietto / d'osso / d'acciaro / di legno / per passare un fiume a ca/vallo e con uno in groppa / da nor [ ?] la spada [page de gauche, de haut en bas] somma scoppietto 100 / Questo si dimanda cacciafrusto e fassi braccia 3. / Gitta grosse pietre a lontano 2/3 della distanzia. Pliure verticale indiquant la provenance d'un recueil. Deux feuillets assemblés par le milieu avec traces de couture sur trois points de la pliure
About this work
The artwork titled "Divers projets d'armes", attributed to VINCI Leonardo da, is preserved at musée du Louvre. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: dessin. It was created using the following materials and techniques: plume, encre brune, pointe de métal, papier (préparé, bleu). Its period of creation is identified as: 4th quarter 15th Century;1st quarter 16th Century.
The Conserving Museum
"Divers projets d'armes" is preserved at musée du Louvre, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
Divers projets d'armes, signée VINCI Leonardo da, est conservée au musée du Louvre dans le domaine dessin. VINCI Leonardo da a utilisé ici plume, encre brune, pointe de métal, papier (préparé, bleu). Les dimensions de l'oeuvre sont : H. en m 0,209 ; L. en m 0,308. Elle est datée de la 4e quart 15e siècle;1er quart 16e siècle. Précisions sur cette oeuvre : né en 1452 ; mort en 1519.
Creation context
C'est sous l'influence de la 4e quart 15e siècle;1er quart 16e siècle que VINCI Leonardo da donne vie à Divers projets d'armes. Aujourd'hui parmi les pièces les plus visitées du musée du Louvre, cette œuvre rappelle un chapitre fondamental de l'histoire artistique, celui d'une époque où la création se réinvente en permanence.
See also
Domain
Author
Artistic movements
Frequently Asked Questions
Everything you need to know
The work « Divers projets d'armes » is held at musée du Louvre, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to VINCI Leonardo da according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.gouv.fr.
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