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Composition, 1931
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Composition, 1931

FREUNDLICH Otto — FREUNDLICH : Stolp, 1878 ; Lublin-Majdanek, 1943 (mort au camp de concentration de Lublin-Majdanek, en Pologne) — 2nd quarter 20th Century

School : Allemagne

Subject depicted

représentation non figurative (effet de forme, effet de couleur)

About this work

The artwork titled "Composition, 1931", attributed to FREUNDLICH Otto, is preserved at musée Tavet-Delacour. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.

Technique and Materials

This work belongs to the field: beaux-arts, peinture. It was created using the following materials and techniques: toile, peinture à l'huile. Its period of creation is identified as: 2nd quarter 20th Century.

The Conserving Museum

"Composition, 1931" is preserved at musée Tavet-Delacour, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

L'oeuvre intitulée Composition, 1931 est attribuée à FREUNDLICH Otto et se trouve au musée Tavet-Delacour. Le procédé technique employé est toile, peinture à l'huile. Format : dimensions en centimètres 146 x 114 ; dimensions avec cadre en centimètres 147.4 x 115.4 x 2.7. L'oeuvre dépeint : représentation non figurative (effet de forme, effet de couleur). La création de cette oeuvre remonte à la 2e quart 20e siècle. Note sur cette oeuvre : FREUNDLICH : Stolp, 1878 ; Lublin-Majdanek, 1943 (mort au camp de concentration de Lublin-Majdanek, en Pologne).

Creation context

La création de Composition, 1931 s'inscrit dans un moment charnière de la 2e quart 20e siècle. FREUNDLICH Otto y répond aux interrogations de son temps avec une acuité remarquable, produisant une œuvre dont le musée Tavet-Delacour assure aujourd'hui la conservation et la diffusion auprès du public. Le contexte de création enrichit la compréhension de cette pièce majeure.

Frequently Asked Questions

Everything you need to know

The work « Composition, 1931 » is held at musée Tavet-Delacour, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to FREUNDLICH Otto according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.