Cahiers reprenant les coupures de presse des matchs du RCL
Description
33 Cahiers : pour chaque saison, depuis 33 ans, M. Courmont indique dans un cahiers les transferts, les départs, les arrivées, les matchs amicaux, les résumés des matchs... Ces articles sont issus des journaux (Voix du Nord, L'Equipe, etc...). Il met aussi des photos des joueurs adverses pour faire vivre la page. Pour chaque match il indique les classements ; les équipes, les buteurs,... Chaque cahier a la même structure. En 1982, il collectionne aussi les images Panini. Des éléments sont ajoutés le lendemain ou dans la semaine suivant le match (2-3 heures pour un ensemble de matchs).
About this work
The artwork titled "Cahiers reprenant les coupures de presse des matchs du RCL" is part of the collections of a « Musée de France » labeled museum. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.
Technique and Materials
This work belongs to the field: sports - loisirs, imprimé. It was created using the following materials and techniques: papier, carton, métal, matière plastique.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
Cahiers reprenant les coupures de presse des matchs du RCL est une oeuvre. La réalisation fait appel à papier, carton, métal, matière plastique. Dimensions : H. 30 ; L. 24. Note sur cette oeuvre : COURMONT, Jean-Marc.
Creation context
crée Cahiers reprenant les coupures de presse des matchs du RCL à une époque où la transforme en profondeur le paysage artistique. Le , qui abrite cette œuvre, offre au visiteur la possibilité de mesurer l'influence du contexte historique et culturel sur la démarche de l'artiste. Les circonstances de la création éclairent le sens et la portée de cette pièce remarquable.
See also
Technique
Domain
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Frequently Asked Questions
Everything you need to know
The work « Cahiers reprenant les coupures de presse des matchs du RCL » is held at , an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
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Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.