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Ad utrumque (emblème au lion couronné)
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Ad utrumque (emblème au lion couronné)

VEEN Gysbert Van (graveur);VEEN Otto Van (inventeur) — VEEN Gysbert ou Gilbert ou Gysbrecht Van : Leyden, 1562 ; Anvers, 1628 ; VEEN Otto Van : Leyde, 1556 ; Bruxelles, 1629 — 16th Century

School : Pays-Bas

About this work

The artwork titled "Ad utrumque (emblème au lion couronné)", attributed to VEEN Gysbert Van (graveur);VEEN Otto Van (inventeur), is preserved at musée des beaux-arts. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.

Technique and Materials

This work belongs to the field: estampe. It was created using the following materials and techniques: burin, papier vergé. Its period of creation is identified as: 16th Century.

The Conserving Museum

"Ad utrumque (emblème au lion couronné)" is preserved at musée des beaux-arts, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

Ad utrumque (emblème au lion couronné) est une oeuvre de VEEN Gysbert Van (graveur);VEEN Otto Van (inventeur), conservée au musée des beaux-arts. Cette oeuvre est réalisée en burin, papier vergé. Dimensions : Hauteur x Largeur feuille : 3,4x4,4 cm ; Hauteur x Largeur trait carré : 2,8x3,9 cm. Elle est datée de la 16e siècle. Concernant cette pièce : VEEN Gysbert ou Gilbert ou Gysbrecht Van : Leyden, 1562 ; Anvers, 1628 ; VEEN Otto Van : Leyde, 1556 ; Bruxelles, 1629.

Creation context

C'est durant la 16e siècle que VEEN Gysbert Van (graveur);VEEN Otto Van (inventeur) conçoit Ad utrumque (emblème au lion couronné), porté par un élan de renouvellement artistique qui traverse alors le monde de la création. Le musée des beaux-arts conserve aujourd'hui cette pièce née d'un moment historique singulier, où les conventions esthétiques sont remises en question et où de nouvelles voies s'ouvrent aux artistes les plus audacieux.

Frequently Asked Questions

Everything you need to know

The work « Ad utrumque (emblème au lion couronné) » is held at musée des beaux-arts, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to VEEN Gysbert Van (graveur);VEEN Otto Van (inventeur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.