Untitled work
Description
Photo : la jeune femme aux cheveux courts a enlevé son imperméable de la photo 246. Elle est en en tenue plutôt masculine : costume pantalon , chapeau, bottes.
About this work
The artwork titled "This artwork", attributed to Passemard, is preserved at muséum d'histoire naturelle et de préhistoire. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.
Technique and Materials
This work belongs to the field: ethnologie, photographie. It was created using the following materials and techniques: plaque de verre (bromure d'argent), gélatine, Plaque de verre à la gélatine (Maddox, 1871) : le gélatino-bromure d'argent remplace progressivement l'émulsion au collodion sur support verre à partir de 1880, puis à partir de 1888 sur support souple. Les émulsions sont sensibilisées en usine et vendues prêtes à l'emploi. Elles demeurent encore employées de nos jours. L'émulsion est à base de gélatine (servant de liant) et de sels d'argent..
The Conserving Museum
"This artwork" is preserved at muséum d'histoire naturelle et de préhistoire, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
Le procédé technique employé est plaque de verre (bromure d'argent), gélatine, Plaque de verre à la gélatine (Maddox, 1871) : le gélatino-bromure d'argent remplace progressivement l'émulsion au collodion sur support verre à partir de 1880, puis à partir de 1888 sur support souple. Les émulsions sont sensibilisées en usine et vendues prêtes à l'emploi. Elles demeurent encore employées de nos jours. L'émulsion est à base de gélatine (servant de liant) et de sels d'argent. Mesures : L. 12 cm ; l. 9 cm (De la plaque de verre en cm). À propos de cette pièce : Emmanuel Passemard est un préhistorien français ; il a fait le choix de la collaboration très active entre 1940 et 1944,-années où il était directeur du Muséum de Nîmes- ce qui explique qu'il soit fusillé en janvier 1946.
Creation context
Comment le contexte de la a-t-il influencé la création de ? Passemard travaille à cette époque dans un climat de renouveau qui irrigue sa pratique et oriente ses choix formels. Le muséum d'histoire naturelle et de préhistoire offre au visiteur l'occasion de saisir cette dimension contextuelle essentielle à la compréhension de l'œuvre.
See also
Domain
Author
Related pages
Frequently Asked Questions
Everything you need to know
The work « Untitled work » is held at muséum d'histoire naturelle et de préhistoire, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to Passemard according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.