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Mertens Ad Imprimeur

6 works referenced in French museums

6 works
1 museums
6 with image
2 domains

Style and technique

L'oeuvre de Mertens Ad Imprimeur s'inscrit dans le courant du estampe. Il maîtrise carton (chromolithographie, doré), qu'il emploie régulièrement. Les créations de Mertens Ad Imprimeur relèvent de estampe.

Legacy and influence

Les travaux de Mertens Ad Imprimeur figurent dans plusieurs collections muséales. Ses réalisations sont réparties dans 1 musées.

Works in public collections

Garçon et Fille, Voyage en ballon, une boîte à biscuit comme nacelle N° 6 (titre factice)

Garçon et Fille, Voyage en ballon, une boîte à biscuit comme nacelle N° 6…

musée de l'image
estampe, mémoire de… 4th quarter 19th Century
Garçon et Fille, Voyage en ballon, une boîte à biscuit comme nacelle N° 5 (titre factice)

Garçon et Fille, Voyage en ballon, une boîte à biscuit comme nacelle N° 5…

musée de l'image
estampe, mémoire de… 4th quarter 19th Century

Works in French museums

Mertens Ad Imprimeur is among the artists whose works are preserved in « Musée de France » labeled museums. The Joconde database of the Ministry of Culture lists 6 works attributed to this artist in French public collections.

Curator museums

The works of Mertens Ad Imprimeur are preserved in the following museums: musée de l'image. These institutions bear the « Musée de France » label and ensure the conservation and accessibility of their collections.

Artistic fields

The works of Mertens Ad Imprimeur belong to the following fields: estampe, mémoire de l'esclavage, estampe.

Data sources

The information presented comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), under the Open License v2.0 (Etalab).

Frequently Asked Questions

Everything you need to know

The Joconde database references 6 works attributed to Mertens Ad Imprimeur in museums of France. 6 of them have a digitized image available online. These works cover various fields: estampe, estampe, mémoire de l'esclavage.

Works by Mertens Ad Imprimeur are held in 1 labeled 'Museum of France', including the musée de l'image. Each work entry indicates the holding museum, which allows planning a visit. Check with the museum whether the work is on display or in storage.

The data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the holding museums, and biographical information is extracted from the database fields.

No. Only cataloged and digitized works in the Joconde database appear on DellArte. Other works by Mertens Ad Imprimeur may exist in museum reserves, private collections, or foreign museums. Digitization progresses each year.

Consult the work's record to identify the holding museum, then contact it to verify if the work is on display. Find out about opening hours and admission fees on the official museum website.

Works by Mertens Ad Imprimeur belong to the following fields: estampe, estampe, mémoire de l'esclavage. The Joconde database documents the technique, period, and holding museum for each work.

According to the records in the Joconde database, works by Mertens Ad Imprimeur employ the following techniques and materials: carton (chromolithographie, doré). Each work record details the technique in the 'Materials / Techniques' field.

Textual data are under Open License v2.0 and can be freely reused. For images, rights depend on the artist's date of death: if Mertens Ad Imprimeur died over 70 years ago, their works are in the public domain in France. Otherwise, images remain under copyright.

Use the DellArte contact page to report the error. For corrections at the source (attribution, dating, biography), report them to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database references over 50,000 artists. Explore the artist directory on DellArte to discover other creators from the same field or era as Mertens Ad Imprimeur.