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Collier Nicolas

Versailles, 1733 ; ?

School : France

28 works referenced in French museums

28 works
5 museums
5 with image
5 domains

Style and technique

L'esthétique de Collier Nicolas est celle du estampe. Il recourt à lithographie, papier comme moyen d'expression. Il oeuvre dans le champ de estampe.

Legacy and influence

Les travaux de Collier Nicolas figurent dans plusieurs collections muséales. Pas moins de 5 musées possèdent des oeuvres de Collier Nicolas.

Works in public collections

Untitled work

musée Condé
orfèvrerie 4th quarter 18th Century
Nicolas Dallier

Nicolas Dallier

musée des Beaux-Arts de Saint-Denis
painting 3rd quarter 17th Century
Projet pour la statue du roi Henri IV à Saint Jean de Latran

Projet pour la statue du roi Henri IV à Saint Jean de Latran

musée du Louvre
drawing 4th quarter 16th…
Carte du Rhin et de la Moselle-1648

Carte du Rhin et de la Moselle-1648

musée national du château de Pau
estampe, cartes - plans 2nd quarter 17th Century

Gouvernement de la Guienne et Gascogne

musée national du château de Pau
estampe, cartes - plans

VUE DE LA RUE DU MORTIER D'OR (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

VUE DE LA RUE SAINT-AVENTIN PRISE DU REMPART (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

LA PORTE SAINT-JACQUES (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

VUE DE SAINT-JEAN PRISE DE LA RUE DU DOMINO (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

LA RUE DE LA BOURCERIE (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

VUE DE TROYES PRISE DE SAINT-GERMAIN (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

VUE DE LA RUELLE DES CHATS (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

TROYES PRISE DU REMPART SAINT-LAURENT (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

VUE DE TROYES (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

LA PORTE ET LE PONT SAINT-GEORGES (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

EGLISE DU PONT-HUBERT (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

VUE DE SAINT-URBAIN PRISE DU PREAU (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

VUE DE LA RUE DU PONT FERRE (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

LA PETITE PORTE DE L'EGLISE DE LA MADELEINE (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

LA TOUR BOILEAU (TITRE INSCRIT)

musée des beaux-arts et d’archéologie
print 2nd quarter 19th Century

Works in French museums

French museums preserve works attributed to Collier Nicolas. These pieces, listed in the Joconde database, attest to this artist's place in the national artistic heritage. 20 records are currently available.

Curator museums

The works of Collier Nicolas are preserved in the following museums: musée Condé, musée des Beaux-Arts de Saint-Denis, musée du Louvre, musée national du château de Pau, musée des beaux-arts et d’archéologie. These institutions bear the « Musée de France » label and ensure the conservation and accessibility of their collections.

Artistic fields

The works of Collier Nicolas belong to the following fields: orfèvrerie, peinture, dessin, estampe, cartes - plans, estampe.

Data sources

The information presented comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), under the Open License v2.0 (Etalab).

Frequently Asked Questions

Everything you need to know

The Joconde database references 28 works attributed to Collier Nicolas in museums of France. 5 of them have a digitized image available online. These works cover various fields: estampe, estampe, cartes - plans, orfèvrerie, peinture, dessin.

Works by Collier Nicolas are held in 5 labeled 'Museum of France', including the musée des beaux-arts et d’archéologie. Each work entry indicates the holding museum, which allows planning a visit. Check with the museum whether the work is on display or in storage.

The data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the holding museums, and biographical information is extracted from the database fields.

No. Only cataloged and digitized works in the Joconde database appear on DellArte. Other works by Collier Nicolas may exist in museum reserves, private collections, or foreign museums. Digitization progresses each year.

Consult the work's record to identify the holding museum, then contact it to verify if the work is on display. Find out about opening hours and admission fees on the official museum website.

Works by Collier Nicolas belong to the following fields: estampe, estampe, cartes - plans, orfèvrerie, peinture, dessin. The Joconde database documents the technique, period, and holding museum for each work.

According to the records in the Joconde database, works by Collier Nicolas employ the following techniques and materials: lithographie, papier, argent, (peinture à l'huile), toile. Each work record details the technique in the 'Materials / Techniques' field.

Textual data are under Open License v2.0 and can be freely reused. For images, rights depend on the artist's date of death: if Collier Nicolas died over 70 years ago, their works are in the public domain in France. Otherwise, images remain under copyright.

Use the DellArte contact page to report the error. For corrections at the source (attribution, dating, biography), report them to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database references over 50,000 artists. Explore the artist directory on DellArte to discover other creators from the same field or era as Collier Nicolas.