Charvilhat Gaston 1869 1942
Bromont-Lamothe, 1869-1942 ; Docteur en médecine
147 works referenced in French museums
Style and technique
Charvilhat Gaston 1869 1942 appartient au ethnologie, photographie, néolithique, dont il illustre les principes. Charvilhat Gaston 1869 1942 a développé sa pratique autour de verre (négatif, gélatino-bromure d'argent). Son production s'inscrit dans ethnologie, photographie, néolithique.
Legacy and influence
Charvilhat Gaston 1869 1942 est représenté dans des musées et à l'international. Charvilhat Gaston 1869 1942 est représenté dans 1 musées.
Works in public collections
Works in French museums
French museums preserve works attributed to Charvilhat Gaston 1869 1942. These pieces, listed in the Joconde database, attest to this artist's place in the national artistic heritage. 20 records are currently available.
Curator museums
The works of Charvilhat Gaston 1869 1942 are preserved in the following museums: musée Bargoin. These institutions bear the « Musée de France » label and ensure the conservation and accessibility of their collections.
Artistic fields
The works of Charvilhat Gaston 1869 1942 belong to the following fields: ethnologie, photographie, néolithique, ethnologie, photographie, vie sociale - culturelle, ethnologie, photographie, sciences - techniques, ethnologie, photographie.
Data sources
The information presented comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), under the Open License v2.0 (Etalab).
See also
Century
Techniques
Related pages
Frequently Asked Questions
Everything you need to know
The Joconde database references 147 works attributed to Charvilhat Gaston 1869 1942 in museums of France. 20 of them have a digitized image available online. These works cover various fields: ethnologie, photographie, néolithique, ethnologie, photographie, vie sociale - culturelle, ethnologie, photographie, sciences - techniques, ethnologie, photographie.
Works by Charvilhat Gaston 1869 1942 are held in 1 labeled 'Museum of France', including the musée Bargoin. Each work entry indicates the holding museum, which allows planning a visit. Check with the museum whether the work is on display or in storage.
The data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the holding museums, and biographical information is extracted from the database fields.
No. Only cataloged and digitized works in the Joconde database appear on DellArte. Other works by Charvilhat Gaston 1869 1942 may exist in museum reserves, private collections, or foreign museums. Digitization progresses each year.
Consult the work's record to identify the holding museum, then contact it to verify if the work is on display. Find out about opening hours and admission fees on the official museum website.
Works by Charvilhat Gaston 1869 1942 belong to the following fields: ethnologie, photographie, néolithique, ethnologie, photographie, vie sociale - culturelle, ethnologie, photographie, sciences - techniques, ethnologie, photographie. The Joconde database documents the technique, period, and holding museum for each work.
According to the records in the Joconde database, works by Charvilhat Gaston 1869 1942 employ the following techniques and materials: verre (négatif, gélatino-bromure d'argent). Each work record details the technique in the 'Materials / Techniques' field.
Textual data are under Open License v2.0 and can be freely reused. For images, rights depend on the artist's date of death: if Charvilhat Gaston 1869 1942 died over 70 years ago, their works are in the public domain in France. Otherwise, images remain under copyright.
Use the DellArte contact page to report the error. For corrections at the source (attribution, dating, biography), report them to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database references over 50,000 artists. Explore the artist directory on DellArte to discover other creators from the same field or era as Charvilhat Gaston 1869 1942.