Works from French museums — Joconde catalog
This catalog gathers over 300,000 digitized works from the Joconde database of the Ministry of Culture: paintings, sculptures, drawings, photographs, archaeological objects, and decorative arts conserved in 1,220 labeled "Museum of France" museums. Search by title, artist, or technique.
91 Results for « Guende Photographe »
719 ARLESIENNES
photographie, costume - accessoires du…379 MARTIGUES - PECHEURS AU TRIDENT SUR LE PONT DE JONQUIERE
photographie, chasse - pêche -…716 ARLESIENNES
photographie, costume - accessoires du…275 TYPE MARSEILLAIS - POISSONNIERE (LEGENDE EN PROVENÇAL)
photographie, costume - accessoires du…270 TYPE MARSEILLAIS - POISSONNIERE - TE! ELLE SENT MA LANGOUSTE! LA DAME DAU…
photographie, ethnologie, philatélie264 TYPE MARSEILLAIS - POISSONNIERE - MEI CLIENTS SONT PAS PRESSA AUJOURD'UEI.…
photographie, ethnologie, philatélie285 Cassis - Le Vieux Château
photographie, ethnologie
La Tour Philippe-le-Bel
Photography
Villeneuve-lès-Avignon : vue générale
Photography
Villeneuve-lès-Avignon : entrée du fort St André
Photography295 MARIGNANE - L'ANCIENNE MAIRIE
photographie, architecture, ethnologieCARNAVAL DE NICE - NOCES D'OR
photographie, spectacle - fête,…CARNAVAL DE NICE - LA CHARMEUSE DE LAPINS
photographie, spectacle - fête,…CARNAVAL DE NICE - CHAR DE LA MUSIQUE - CANARD SAUVAGE
photographie, spectacle - fête, musique…773 MARSEILLE - TYPES DE PECHEURS - LE REPAS
photographie, chasse - pêche -…267 TYPE MARSEILLAIS - POISSONNIERE - SANT HENRI LEI LINGOUSTO QUE SONT VIVES…
photographie, ethnologie, philatélie
Tour Philippe-le-Bel
Photography
Villeneuve-lès-Avignon : entrée du fort St André
PhotographyCARNAVAL DE NICE - PRINTEMPS - POUSSE
photographie, spectacle - fête,…268 TYPE MARSEILLAIS - POISSONNIERE - Y NE SONT PAS FRAIS MES POISSONS ! VOUS…
photographie, ethnologie, philatélie269 - TYPES MARSEILLAIS - POISSONNIERE - LA PRESIDENTE DU SYNDICAT DES…
photographie, costume - accessoires du…1771 MARSEILLE - Le fort St-Jean
photographie, ethnologieBy technique
Frequently Asked Questions
Everything you need to know
The Joconde database from the Ministry of Culture lists approximately 700,000 records of works preserved in French museums. On dellarte.fr, more than 300,000 records with digitized images are accessible. This number increases regularly as digitization programs progress.
The Joconde database is the collective catalog of collections from French museums, managed by the Ministry of Culture. It catalogues artworks and patrimonial objects from museums labeled 'Museum of France' and is freely accessible at data.culture.gouv.fr under Open License v2.0.
The Joconde database covers all artistic and patrimonial fields: painting, sculpture, drawing, printmaking, photography, archaeology, decorative arts, ceramics, goldsmithing, numismatics, ethnology, furniture, textile, and many others.
The availability of images depends on each museum and the rights associated with the work. Many records include a photograph of the work; others only provide a textual description, especially for works still under copyright.
Use the search bar to find a piece by its title, artist's name, technique used, or the museum that preserves it. The search covers all available records.
No. Only part of the collections are digitized and listed in the Joconde database. Museums continue digitization efforts; the number of records available online increases each year.
Textual data (title, author, technique, period, museum) are published under Open License v2.0 (Etalab) and can be freely reused. Images are subject to specific rights depending on the work and the museum.
Since the data comes from the Joconde database, corrections should be reported directly to the Ministry of Culture via data.culture.gouv.fr. You can also contact us to relay your report.
Yes. Enter a period in the search bar — for example, ‘17th century’, ‘Renaissance’, or ‘contemporary art’ — to filter works by their creation period.
Yes. The Joconde database lists works from all eras, from Prehistory to contemporary art. Collections from modern art museums and FRAC (Regional Contemporary Art Funds) also contribute.

