Vulcanisation du latex
School : France
Description
Mine de plomb et fusain sur papier calque ; 'Les plus importantes plantations de caoutchouc sont en Malaisie britannique, aux Indes néerlandaises, à Ceylan, au Brésil, à Bornéo, à Sarawak et en Indochine. De nombreux essais sont faits au Mexique, au Cameroun, au Congo et en Libéria. Dans la consommation du caoutchouc les Etats-Unis occupent de loin le premier rang. La France a le second, qu'elle doit à la réputation de ses industries.' René-Seguy (Exposition coloniale internationale. 1931, p.29).
Subject depicted
scène (ouvrier, homme : Indonésien, industrie chimique, caoutchouc, boeuf)
About this work
The artwork titled "Vulcanisation du latex", attributed to PINCHON Emile (dessinateur), is preserved at musée du Noyonnais. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.
Technique and Materials
This work belongs to the field: dessin. It was created using the following materials and techniques: papier calque, mine de plomb, fusain. Its period of creation is identified as: 2nd quarter 20th Century.
The Conserving Museum
musée du Noyonnais preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
Vulcanisation du latex est une pièce de dessin réalisée par PINCHON Emile (dessinateur), au musée du Noyonnais. Le procédé technique employé est papier calque, mine de plomb, fusain. Format : Hauteur en cm 49.6 ; Largeur en cm 32.4. On y reconnaît : scène (ouvrier, homme : Indonésien, industrie chimique, caoutchouc, boeuf). La création de cette oeuvre remonte à la 2e quart 20e siècle. Note sur cette oeuvre : PINCHON : Amiens, 1872 ; Saint-Mandé, 1933.
Creation context
Vulcanisation du latex de PINCHON Emile (dessinateur) voit le jour dans le contexte bouillonnant de la 2e quart 20e siècle, une époque de profondes transformations artistiques et culturelles. Aujourd'hui conservée au musée du Noyonnais, cette œuvre reflète les aspirations et les questionnements esthétiques de son temps. L'artiste puise dans l'effervescence créatrice de son époque les ressources nécessaires pour forger une œuvre qui dialogue avec les courants dominants tout en affirmant une voix personnelle.
See also
Technique
Domain
Artistic movements
Frequently Asked Questions
Everything you need to know
The work « Vulcanisation du latex » is held at musée du Noyonnais, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to PINCHON Emile (dessinateur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.