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Rose du chapiteau du portique du Panthéon, vue perpendiculairement à son centre
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Rose du chapiteau du portique du Panthéon, vue perpendiculairement à son centre

Pâris Pierre Adrien (1745-1819) — Pâris : Besançon, 1745 ; Besançon, 1819 ; architecte, décorateur, peintre, dessinateur et graveur. — 18th Century

School : France

Description

1 dessin : plume, lavé de bistre, d'encre de Chine et de couleur

Subject depicted

représentation d'objet (rose orn, antiquité romaine)

About this work

The artwork titled "Rose du chapiteau du portique du Panthéon, vue perpendiculairement à son centre", attributed to Pâris Pierre Adrien (1745-1819), is preserved at Bibliothèque municipale de Besançon. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.

Technique and Materials

This work belongs to the field: dessin. It was created using the following materials and techniques: papier, plume, encre de Chine, bistre, couleur. Its period of creation is identified as: 18th Century.

The Conserving Museum

Bibliothèque municipale de Besançon preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

Rose du chapiteau du portique du Panthéon, vue perpendiculairement à son centre est une pièce de dessin réalisée par Pâris Pierre Adrien (1745-1819), au Bibliothèque municipale de Besançon. Elle est réalisée avec la technique suivante : papier, plume, encre de Chine, bistre, couleur. Format : L. en mm 217 ; H. en mm 359. Sujet représenté : représentation d'objet (rose orn, antiquité romaine). La création de cette oeuvre remonte à la 18e siècle. Informations complémentaires : Pâris : Besançon, 1745 ; Besançon, 1819 ; architecte, décorateur, peintre, dessinateur et graveur.

Creation context

Comment le contexte de la 18e siècle a-t-il influencé la création de Rose du chapiteau du portique du Panthéon, vue perpendiculairement à son centre ? Pâris Pierre Adrien (1745-1819) travaille à cette époque dans un climat de renouveau qui irrigue sa pratique et oriente ses choix formels. Le Bibliothèque municipale de Besançon offre au visiteur l'occasion de saisir cette dimension contextuelle essentielle à la compréhension de l'œuvre.

Frequently Asked Questions

Everything you need to know

The work « Rose du chapiteau du portique du Panthéon, vue perpendiculairement à son centre » is held at Bibliothèque municipale de Besançon, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to Pâris Pierre Adrien (1745-1819) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.