PORTRAIT DE CLAUDE LOUIS HECTOR DUC DE VILLARS, PAIR ET MARECHAL GENERAL DE FRANCE, PRINCE DE MARTIGUES, GRAND D'ESPAGNE, MARQUIS DE LA NOCLE, COMTE DE LA ROCHEMILLAY, VICOMTE DE MELUN, ...CHEVALIER DU SAINT ESPRIT ET DE LA TOISON D'OR, GOUVERNEUR GENERAL DE PROVENCE, ... (1653-1734)
School : France (d'après)
Subject depicted
portrait (Villars Louis Claude Hector de, homme, maréchal, général, en pied, de trois-quarts, Ordre du Saint-Esprit)
About this work
The artwork titled "PORTRAIT DE CLAUDE LOUIS HECTOR DUC DE VILLARS, PAIR ET MARECHAL GENERAL DE FRANCE, PRINCE DE MARTIGUES, GRAND D'ESPAGNE, MARQUIS DE LA NOCLE, COMTE DE LA ROCHEMILLAY, VICOMTE DE MELUN, ...CHEVALIER DU SAINT ESPRIT ET DE LA TOISON D'OR, GOUVERNEUR GENERAL DE PROVENCE, ... (1653-1734)", attributed to anonyme;RIGAU Y ROS Hyacinthe (d'après);RIGAUD Hyacinthe (dit, d'après), is preserved at musée des beaux-arts. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: peinture. It was created using the following materials and techniques: peinture à l'huile, toile. Its period of creation is identified as: 4th quarter 17th Century;1ère moitié 18th Century.
The Conserving Museum
musée des beaux-arts preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
PORTRAIT DE CLAUDE LOUIS HECTOR DUC DE VILLARS, PAIR ET MARECHAL GENERAL DE FRANCE, PRINCE DE MARTIGUES, GRAND D'ESPAGNE, MARQUIS DE LA NOCLE, COMTE DE LA ROCHEMILLAY, VICOMTE DE MELUN..CHEVALIER DU SAINT ESPRIT ET DE LA TOISON D'OR, GOUVERNEUR GENERAL DE PROVENCE.. (1653-1734), signée anonyme;RIGAU Y ROS Hyacinthe (d'après);RIGAUD Hyacinthe (dit, d'après), est conservée au musée des beaux-arts dans le domaine peinture. La technique employée est : peinture à l'huile, toile. Ses dimensions sont 147 H ; 129 L. Le sujet de cette oeuvre : portrait (Villars Louis Claude Hector de, homme, maréchal, général, en pied, de trois-quarts, Ordre du Saint-Esprit). Cette réalisation date de la 4e quart 17e siècle;1ère moitié 18e siècle.
Creation context
anonyme;RIGAU Y ROS Hyacinthe (d'après);RIGAUD Hyacinthe (dit, d'après), immergé dans la 4e quart 17e siècle;1ère moitié 18e siècle, livre avec PORTRAIT DE CLAUDE LOUIS HECTOR DUC DE VILLARS, PAIR ET MARECHAL GENERAL DE FRANCE, PRINCE DE MARTIGUES, GRAND D'ESPAGNE, MARQUIS DE LA NOCLE, COMTE DE LA ROCHEMILLAY, VICOMTE DE MELUN, ...CHEVALIER DU SAINT ESPRIT ET DE LA TOISON D'OR, GOUVERNEUR GENERAL DE PROVENCE, ... (1653-1734) une œuvre qui transcende son contexte de création tout en l'incarnant pleinement. Le musée des beaux-arts a su préserver cette pièce dont la pertinence artistique traverse les siècles et continue de susciter l'intérêt des amateurs d'art.
See also
Technique
Domain
Artistic movements
Frequently Asked Questions
Everything you need to know
The work « PORTRAIT DE CLAUDE LOUIS HECTOR DUC DE VILLARS, PAIR ET MARECHAL GENERAL DE FRANCE, PRINCE DE MARTIGUES, GRAND D'ESPAGNE, MARQUIS DE LA NOCLE, COMTE DE LA ROCHEMILLAY, VICOMTE DE MELUN, ...CHEVALIER DU SAINT ESPRIT ET DE LA TOISON D'OR, GOUVERNEUR GENERAL DE PROVENCE, ... (1653-1734) » is held at musée des beaux-arts, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to anonyme;RIGAU Y ROS Hyacinthe (d'après);RIGAUD Hyacinthe (dit, d'après) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
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