Oenone refusant de secourir Pâris blessé au siège de Troie
School : France
Description
Plume et lavis d'encre brune et grise sur papier
Subject depicted
scène mythologique (guerre, Troie, agonie, Pâris myth, Oenone, soldat)
About this work
The artwork titled "Oenone refusant de secourir Pâris blessé au siège de Troie", attributed to GERICAULT Théodore (auteur), is preserved at musée des beaux-arts. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: dessin. It was created using the following materials and techniques: plume, lavis d'encre brune, lavis d'encre grise, papier. Its period of creation is identified as: 1st quarter 19th Century.
The Conserving Museum
musée des beaux-arts preserves this work in its collections. As a « Musée de France » labeled museum, the institution is committed to preserving and showcasing the pieces entrusted to it.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
GERICAULT Théodore (auteur) a réalisé Oenone refusant de secourir Pâris blessé au siège de Troie, actuellement au musée des beaux-arts. GERICAULT Théodore (auteur) a utilisé ici plume, lavis d'encre brune, lavis d'encre grise, papier. Dimensions de l'oeuvre : Dimensions Hauteur : 11.4 cm ; Largeur : 17.6 cm. Le motif représenté : scène mythologique (guerre, Troie, agonie, Pâris myth, Oenone, soldat). Elle a été créée durant la 1er quart 19e siècle. Précisions sur cette oeuvre : GERICAULT : Rouen, 1791 ; Paris, 1824 ; nationalité : Française.
Creation context
GERICAULT Théodore (auteur) achève Oenone refusant de secourir Pâris blessé au siège de Troie dans un climat artistique profondément marqué par la 1er quart 19e siècle. Le musée des beaux-arts, qui en conserve l'original, perpétue ainsi la mémoire d'un moment essentiel de l'histoire de l'art, où les créateurs ont su répondre aux défis de leur époque avec inventivité et audace.
See also
Domain
Artistic movements
Frequently Asked Questions
Everything you need to know
The work « Oenone refusant de secourir Pâris blessé au siège de Troie » is held at musée des beaux-arts, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to GERICAULT Théodore (auteur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.