Preparing your personalized content

La Vierge à l'oeillet d'après Raphaël

JAQUOTOT Marie Victoire;Raphaël (1483-1520) (inspiré par) — born 1772 ; died 1855 — 1st quarter 19th Century

School : France

Description

Peinture sur porcelaine dure. Signé et daté en bas à gauche :Victoire Jaquotot / Peintre de Cabinet du Roi. / 1817

About this work

The artwork titled "La Vierge à l'oeillet d'après Raphaël", attributed to JAQUOTOT Marie Victoire;Raphaël (1483-1520) (inspiré par), is preserved at musée national de la céramique. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.

Technique and Materials

This work belongs to the field: céramique, arts décoratifs. It was created using the following materials and techniques: porcelaine (peint). Its period of creation is identified as: 1st quarter 19th Century.

The Conserving Museum

"La Vierge à l'oeillet d'après Raphaël" is preserved at musée national de la céramique, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.

Data sources

The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).

About this artwork

La Vierge à l'oeillet d'après Raphaël de JAQUOTOT Marie Victoire;Raphaël (1483-1520) (inspiré par) figure dans les collections du musée national de la céramique. L'oeuvre a été exécutée en porcelaine (peint). Mesures : H. en m 0,314 ; L. en m 0,266. Sa période de création est la 1er quart 19e siècle. Concernant cette pièce : né en 1772 ; mort en 1855.

Creation context

Dans quel contexte JAQUOTOT Marie Victoire;Raphaël (1483-1520) (inspiré par) a-t-il créé La Vierge à l'oeillet d'après Raphaël ? La 1er quart 19e siècle constitue un moment de profonde effervescence créatrice, qui nourrit et stimule la démarche de l'artiste. Le musée national de la céramique, qui détient cette œuvre, permet au visiteur de comprendre les liens qui unissent la création artistique aux circonstances historiques de son émergence.

Frequently Asked Questions

Everything you need to know

The work « La Vierge à l'oeillet d'après Raphaël » is held at musée national de la céramique, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.

This artwork is attributed to JAQUOTOT Marie Victoire;Raphaël (1483-1520) (inspiré par) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.

Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.

The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.

Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.

The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.

Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.

The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.

The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.

Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.