L'Adoration des Bergers (titre attribué)
School : France;Bologne
Description
Huile sur toile ; Scène d'Adoration des bergers. Dans le registre inférieure, la Vierge Marie, Joseph, plusieurs bergers et deux anges entourent l'Enfant Jésus auréolé. En arrière-plan, une colonne sépare un paysage lointain à gauche, et une étable à droite. L'ensemble est surmonté de putti qui tiennent une banderolle proclamant la gloire de l'Enfant Jésus.
Subject depicted
paysage (adoration des bergers, sainte Famille, vierge, saint Joseph, berger, enfant Jésus, auréole, ange, putto, banderole, paysage, étable, colonne, nuage)
About this work
The artwork titled "L'Adoration des Bergers (titre attribué)", attributed to anonyme (attribué à, peintre);CARRACI Annibale (d'après), is preserved at musée Saint-Remi. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.
Technique and Materials
This work belongs to the field: peinture. It was created using the following materials and techniques: (peinture à l'huile), toile. Its period of creation is identified as: 17th Century;18th Century.
The Conserving Museum
"L'Adoration des Bergers (titre attribué)" is preserved at musée Saint-Remi, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
L'oeuvre intitulée L'Adoration des Bergers (titre attribué) est attribuée à anonyme (attribué à, peintre);CARRACI Annibale (d'après) et se trouve au musée Saint-Remi. Cette pièce est en (peinture à l'huile), toile. La pièce a pour dimensions H x L en cm 250 x 162 ; Hauteur en cm 250 ; Largeur en cm 162. Le sujet de cette oeuvre : paysage (adoration des bergers, sainte Famille, vierge, saint Joseph, berger, enfant Jésus, auréole, ange, putto, banderole, paysage, étable, colonne, nuage). Sa période de création est la 17e siècle;18e siècle. On sait de cette oeuvre que : CARRACI Annibale : Bologne, 1560 ; Rome, 1609#HÉLART Jean : Reims, 1618 ; Reims, 1685/01/12 ; nationalité : Française.
Creation context
L'Adoration des Bergers (titre attribué) émerge du bouillonnement de la 17e siècle;18e siècle, époque où anonyme (attribué à, peintre);CARRACI Annibale (d'après) atteint la pleine maturité de son art. Visible au musée Saint-Remi, cette œuvre illustre à quel point le contexte historique nourrit et façonne la création artistique, lui conférant une profondeur qui va bien au-delà de la seule dimension esthétique.
See also
Technique
Domain
Artistic movements
Frequently Asked Questions
Everything you need to know
The work « L'Adoration des Bergers (titre attribué) » is held at musée Saint-Remi, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to anonyme (attribué à, peintre);CARRACI Annibale (d'après) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
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