Faune ivre ; Retour d'une fête de Bacchus
Description
Bronze
Subject depicted
figure mythologique (personnage de la mythologie gréco-romaine, faune, sourire)
About this work
The artwork titled "Faune ivre ; Retour d'une fête de Bacchus", attributed to CUGNOT Léon (sculpteur);THIÉBAUT Victor (fondeur), is preserved at musée des beaux-arts. Referenced in the Joconde database, this work contributes to the national artistic heritage preserved in labeled museums.
Technique and Materials
This work belongs to the field: sculpture. It was created using the following materials and techniques: bronze (ronde-bosse, fonte au sable). Its period of creation is identified as: 3rd quarter 19th Century.
The Conserving Museum
"Faune ivre ; Retour d'une fête de Bacchus" is preserved at musée des beaux-arts, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
CUGNOT Léon (sculpteur);THIÉBAUT Victor (fondeur) a réalisé Faune ivre ; Retour d'une fête de Bacchus, actuellement au musée des beaux-arts. Il s'agit d'une oeuvre en bronze (ronde-bosse, fonte au sable). L'oeuvre présente les dimensions suivantes : Hauteur en cm 145 ; Largeur en cm 53 ; Profondeur en cm 54. Le motif représenté : figure mythologique (personnage de la mythologie gréco-romaine, faune, sourire). Elle a été créée durant la 3e quart 19e siècle. Note sur cette oeuvre : Cugnot Léon : Paris, 1835, 17 Octobre ; Paris, 1894, 19 Août#Thiébaut Victor : Paris, 1823 ; ?, 1888.
Creation context
CUGNOT Léon (sculpteur);THIÉBAUT Victor (fondeur), immergé dans la 3e quart 19e siècle, livre avec Faune ivre ; Retour d'une fête de Bacchus une œuvre qui transcende son contexte de création tout en l'incarnant pleinement. Le musée des beaux-arts a su préserver cette pièce dont la pertinence artistique traverse les siècles et continue de susciter l'intérêt des amateurs d'art.
See also
Technique
Domain
Artistic movements
Frequently Asked Questions
Everything you need to know
The work « Faune ivre ; Retour d'une fête de Bacchus » is held at musée des beaux-arts, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to CUGNOT Léon (sculpteur);THIÉBAUT Victor (fondeur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
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