David désignant Salomon comme son successeur
School : Pays-Bas
Description
encre brune à la plume et au lavis, gouache blanche partiellement virée au gris
Subject depicted
scène biblique (David, couché : agonie, lit, Salomon, debout, Bethsabée, assis)
About this work
The artwork titled "David désignant Salomon comme son successeur", attributed to BOL Ferdinand (dessinateur), is preserved at musée des beaux-arts et d'archéologie. This piece is listed in the Joconde database of the Ministry of Culture, which catalogues the works held in French museums.
Technique and Materials
This work belongs to the field: dessin. It was created using the following materials and techniques: papier (blanc), encre brune, plume, lavis, gouache blanche. Its period of creation is identified as: 2nd quarter 17th Century.
The Conserving Museum
"David désignant Salomon comme son successeur" is preserved at musée des beaux-arts et d'archéologie, an institution bearing the « Musée de France » label. This label ensures that the collections are managed rigorously in terms of conservation, inventory, and public accessibility.
Data sources
The information about this work comes from the Joconde database of the Ministry of Culture, published on data.culture.gouv.fr under the Open License v2.0 (Etalab).
About this artwork
David désignant Salomon comme son successeur est une oeuvre de dessin par BOL Ferdinand (dessinateur), visible au musée des beaux-arts et d'archéologie. La réalisation fait appel à papier (blanc), encre brune, plume, lavis, gouache blanche. Les dimensions de l'oeuvre sont : l. 21.7 ; H. 15.8. Le sujet de cette oeuvre : scène biblique (David, couché : agonie, lit, Salomon, debout, Bethsabée, assis). La création de cette oeuvre remonte à la 2e quart 17e siècle. Note sur cette oeuvre : Dordrecht, 1616 ; Dordrecht, 1680.
Creation context
La genèse de David désignant Salomon comme son successeur par BOL Ferdinand (dessinateur) est indissociable de l'atmosphère culturelle de la 2e quart 17e siècle, moment de grands changements dans l'histoire de l'art. Conservée au musée des beaux-arts et d'archéologie, cette œuvre renferme les échos d'un monde en pleine transformation, où les artistes cherchent de nouvelles manières de représenter la réalité.
See also
Domain
Artistic movements
Frequently Asked Questions
Everything you need to know
The work « David désignant Salomon comme son successeur » is held at musée des beaux-arts et d'archéologie, an institution labeled as a « Musée de France ». This label guarantees the quality of collection preservation and accessibility to the public.
This artwork is attributed to BOL Ferdinand (dessinateur) according to the Joconde database of the Ministry of Culture. Check the artist's profile on DellArte to discover their background, other works, and museums that house their creations.
Data comes from the Joconde database of the Ministry of Culture (data.culture.gouv.fr), distributed under Open License v2.0 (Etalab). The records are provided by the museums and validated by the French Museum Service.
The work is part of the collections of a « Musée de France »-labelled museum. Contact the hosting museum to verify if the work is currently on display or held in reserve. Opening hours and admission fees are available on the museum's official website.
Image usage rights depend on the work, the artist, and the museum. If the author died more than 70 years ago, the work is in the public domain in France. Text data (title, technique, dimensions) are under Open License and freely reusable.
The work's record contains information from the Joconde database: title, author, technique and materials used, dimensions, creation period, artistic domain, inventory number, hosting museum, and when available, a digital image.
Use the DellArte contact page to report errors. Since data comes from the Joconde database, major corrections (attribution, dating, technique) should be reported to the Ministry of Culture via data.culture.gouv.fr.
The Joconde database lists over 700,000 works. Use the search bar to find works by the same artist, technique, or period. Each museum entry provides access to its entire digitized collection.
The image resolution depends on the museum's digitization program. Some museums offer high-resolution images through their own digital platforms. The image displayed on DellArte comes from the Joconde database at its dissemination resolution.
Museum shops often sell reproductions of their main works (postcards, posters, art books). For public domain works, services like RMN-Grand Palais (photo.rmn.fr) offer professional photographic reproductions.